Post-revolution nonfiction film: building the Soviet and Cuban nations

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Cinema History and Criticism Cinema and Media Studies Spanish Culture and Identity

Abstract

Acknowledgments 1. Introduction: Revolutionary Rupture and National Stability Part 1 2. Kino-Nedelia, Early Documentary, and the Performance of a New Collective, 1917-1921 3. A Cinema Looking For People: The Individual and the Collective in Immediate Post-Revolutionary Cuban Nonfiction Film Part 2 4. The Dialectics of Thought and Vision in the Films of Dziga Vertov, 1922-1927 5. (Non)Alignments and the New Revolutionary Man Part 3 6. Esfir Shub, Factography, and the New Documentary Historiography 7. The Object of Revolutionary History: Santiago Alvarez' Commemorative Newsreels and Chronicle Documentaries, 1972-1974 Notes Filmography Bibliography Index

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References

2015Principles of Scientific Management, The 2002The Language of New Media 1976Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century.2003Publics and counterpublics 2003Modern Social Imaginaries 1991The human motor: energy, fatigue, and the origins of modernity 2002The Emergence of Cinematic Time: Modernity, Contingency, the Archive 1995Magnetic Mountain: Stalinism as a Civilization

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2016Soviet Cinematic Internationalism and Socialist Film Making, 1955–1972

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