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Post-revolution nonfiction film: building the Soviet and Cuban nations
16 references·1 citing·37 second hop
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References

  • 2015Principles of Scientific Management, The5,038 cited
  • 2002The Language of New Media5,017 cited
  • 1976Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century.2,985 cited
  • 2003Publics and counterpublics2,458 cited
  • 2003Modern Social Imaginaries2,118 cited
  • 1991The human motor: energy, fatigue, and the origins of modernity1,287 cited
  • 2002The Emergence of Cinematic Time: Modernity, Contingency, the Archive1,051 cited
  • 1995Magnetic Mountain: Stalinism as a Civilization878 cited
  • 1992Objectivity and the Escape from Perspective787 cited
  • 2017Everyday Life in the Modern World676 cited
  • 2001Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West637 cited
  • 1989Revolutionary dreams: utopian vision and experimental life in the Russian Revolution496 cited
  • 2002Toward New Imaginaries: An Introduction465 cited
  • 1989New challenges for documentary329 cited
  • 1974Documentary: A History of the Non-Fiction Film323 cited
  • 1998Havana: two faces of the Antillean metropolis320 cited

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  • 2016Soviet Cinematic Internationalism and Socialist Film Making, 1955–19727 cited