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The Love of Art: European Art Museums and their Public
0 references·16 citing·55 second hopsampled
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  • 2005Problems in comparative research: The example of omnivorousness579 cited
  • 1996Production and consumption of European cultural tourism441 cited
  • 2002The politics of data collection: Gathering, analysing and using data about the subsidised cultural sector in England85 cited
  • 2011Rhetorics of Value: Constituting Worth and Meaning through Cultural Display69 cited
  • 2012Spaces between Fields56 cited
  • 2009New perspectives on the role of cultural intermediaries in social inclusion in the UK52 cited
  • 2003The Negotiated City Image: Symbolic Reproduction and Change through Urban Consumption45 cited
  • 2012Art Infusion in Fashion Product: The influence of Visual Art on Product Evaluation and Purchase Intention of Consumers36 cited
  • 2014Perception and evaluation of authentic objects: findings from a visitor study34 cited
  • 2005The predicament of diversity33 cited
  • 1995Consuming science: public knowledge and the dispersed politics of reception among museum visitors31 cited
  • 2012Dewey and Bourdieu on Democracy31 cited
  • 2006“Industry without Art Is Brutality”: Aesthetic Ideology and Social Practice in Victorian Art Museums29 cited
  • 2013Goffman in the Gallery: Interactive Art and Visitor Shyness

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28 cited
  • 2018A digital museum’s contribution to diversity – a user study23 cited
  • 1999The 'nature dispositions' of visitors to animal encounter sites in Australia and New Zealand20 cited