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The Structure and Chemical Composition of Wall Paintings From Islamic and Christian Times in the Seville Alcazar

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2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
2004Three-dimensional micro-XRF investigations of paint layers with a tabletop setup140 cited
2003Analysis of pigments from Roman wall paintings found in Vicenza121 cited
2008A portable instrument for in situ determination of the chemical and phase compositions of cultural heritage objects101 cited
2009DETERMINATION OF PIGMENTS AND BINDERS IN POMPEIAN WALL PAINTINGS USING SYNCHROTRON RADIATION – HIGH‐RESOLUTION X‐RAY POWDER DIFFRACTION AND CONVENTIONAL SPECTROSCOPY – CHROMATOGRAPHY90 cited
2011The Temple of Venus (Pompeii): a study of the pigments and painting techniques85 cited
2010Revealing the sfumato Technique of Leonardo da Vinci by X‐Ray Fluorescence Spectroscopy66 cited
2011Analytical study of Roman and Arabic wall paintings in the Patio De Banderas of Reales Alcazares’ Palace using non-destructive XRD/XRF and complementary techniques55 cited
2010X-ray diffraction studies of Pompeian wall paintings using synchrotron radiation and dedicated laboratory made systems42 cited
2004Analysis of the palette of a precious 16th century illuminated Turkish manuscript by Raman microscopy40 cited
2013Materials Characteristics of Roman and Arabic Mortars and Stuccoes from the Patio De Banderas in the Real Alcazar of Seville ( S pain)32 cited
2010Murillo's paintings revealed by spectroscopic techniques and dedicated laboratory-made micro X-ray diffraction32 cited

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