Schooling the future: Perceptions of Selected Experts on Jazz Education

Abstract

Aspects of both the functionalist and interactionist schools in sociology consider formal education as a form of social reproduction. Despite the large number of students that participate in school jazz programs at the secondary level, very little research examines jazz education practices at this level. This paper is a re-interpretation of data collected for the author’s Master’s thesis that examines jazz education practices at the secondary level. Interviews of selected experts revealed that improvisation is considered fundamental to jazz curricula, and yet it is largely neglected in the performing practices of school jazz ensembles. The kinds of jazz education practices that exist in schools would seem to raise several important questions. With what kind of community of practice are students engaging? What kinds of meanings are students able to construct and negotiate, given the practice of performing commercial, Big Band arrangements? What message is communicated when improvisation is largely or completely neglected in school instruction, in favour of ‘polishing’ the sound of the orchestrated passages? School jazz education practices are examined through the theoretical lens of Lave and Wenger’s ‘situated learning,’ with implications presented for culture and society.

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