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Whole World of Music
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Whole World of Music (2013)Whole World of MusicPlaying Apart as "Playing Together": Lou Harrison’s Threnody for Carlos Chávez for Gamelan and Viola (2014)Playing Apart as "Playing Tog…The Farthest Place: The Music of John Luther Adams (2012)The Farthest Place: The Music…The Origins of “Dissonant Counterpoint”: Henry Cowell's Unpublished Notebook (2011)The Origins of “Dissonant Cou…Embodied Experimentalism and Henry Cowell’s The Banshee (2010)Embodied Experimentalism and …The Color of Music Heritage: Chinese America in American Ultra-Modern Music (2009)The Color of Music Heritage: …An Unlikely Synergy: Lou Harrison and Arnold Schoenberg (2009)An Unlikely Synergy: Lou Harr…Avant-garde and experimental music (1998)Avant-garde and experimental …Anatomy of Criticism (1957)Subculture: The Meaning of Style. (1981)Modernity at Large: Cultural Dimensions of Globalization. (1998)Princeton Theory's Problematics (2013)The heroic age of American avant-garde art (2015)Phenomenology of Perception. (1964)Understanding Media: The Extensions of Man (1964)Orality and Literacy (1982)Music in Java; Its History, Its Theory and Its Technique (1975)Locating East Asia in Western Art Music (2003)Unplayed melodies: Javanese gamelan and the genesis of music theory (2005)The cultural front: the laboring of American culture in the twentieth century (1997)Asian/American: historical crossings of a racial frontier (1999)Making Music Modern (2000)China and the West (2016)Transnationalism and everyday practice: Cantonese opera theatres of North America in the 1920s (2016)Style and Idea: Selected Writings of Arnold Schoenberg (1975)The Music of John Cage (1993)The Cambridge Companion to John Cage (2002)Composers as Ethnographers: Difference in the Imaginations of Colin McPhee, Henry Cowell, and Lou Harrison (2019)New Musical Resources (1996)Making music modern : New York in the 1920s (2000)Mathematical Music Theory and the Musical Math Game—Two Creative Ontological Switches (2017)Composing Freedom: Elliott Carter’s ‘Self-Reinvention’ and the Early Cold War (2019)Sketching a New Verticality: Varèse’s Atonal Sound and its Contexts—Schoenberg, Webern and Ruggles (2019)The World As Will And Idea (1975)Psychotic Reactions and Carburetor Dung (1987)Where rivers and mountains sing: sound, music, and nomadism in Tuva and beyond (2006)Sublime frequencies: The construction of sublime listening experiences in the sonification of scientific data (2013)Selling Nature to Save It: Approaching self-critical environmental sonic art (2018)
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Cited by

  • 2011The Origins of “Dissonant Counterpoint”: Henry Cowell's Unpublished Notebook13 cited
  • 1998Avant-garde and experimental music11 cited
  • 2010Embodied Experimentalism and Henry Cowell’s The Banshee7 cited
  • 2009The Color of Music Heritage: Chinese America in American Ultra-Modern Music6 cited
  • 2012The Farthest Place: The Music of John Luther Adams6 cited
  • 2014Playing Apart as "Playing Together": Lou Harrison’s Threnody for Carlos Chávez for Gamelan and Viola3 cited
  • 2009An Unlikely Synergy: Lou Harrison and Arnold Schoenberg3 cited

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