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Cited by

• 2009Removing the Spin: Toward a New Theory of Public Relations History133 cited
• 2010Catullus, Cicero, and a Society of Patrons: The Generation of the Text65 cited
• 2016Unveiling the Biographies of Media: On the Role of Narratives, Anecdotes, and Storytelling in the Construction of New Media's Histories40 cited
• 2009Boucicault's misdirections: Race, transatlantic theatre and social position inTheOctoroon31 cited
• 2009The White Elephant in London: An Episode of Trickery, Racism and Advertising24 cited
• 2004Censorship of the American theatre in the twentieth century22 cited
• 2013Travelling Museums and Itinerant Collections in Nineteenth-Century Latin America19 cited
• 2008Perils of Degeneration: Reform, the Savage Immigrant, and the Survival of the Unfit19 cited
• 2016Black Swan/White Raven: the racial politics of Elizabeth Greenfield’s American concert career, 1851–185517 cited
• 2012The greatest showman on earth15 cited
• 2014The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema14 cited
• 1999A Changing Theatre: New York and Beyond10 cited
• 1999P.T. Barnum, Joice Heth and Antebellum Spectacles of Race10 cited
• 2005Museum Realism