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Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue
16 references·11 citing·18 second hop
Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of indigo–palyg…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Chemical stability and dehydr…The Color and Stability of Maya Blue: TDDFT Calculations (2009)The Color and Stability of Ma…A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)A combined synchrotron powder…Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Pre-columbian nanotechnology:…Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)Organic/inorganic complex pig…SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)SYNTHESIS AND ACID RESISTANCE…Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach (2006)Dehydroindigo: A New Piece in…Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Raman spectroscopic analysis …Maya Blue: A Computational and Spectroscopic Study (2005)Maya Blue: A Computational an…The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice (2003)The Nature of the Colour Cent…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Maya Blue Paint: An Ancient Nanostructured Material (1996)Maya Blue Paint: An Ancient N…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…Painting Materials : a Short Encyclopedia (1943)Painting Materials : a Short …Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment (2022)Influence of indigo-hydroxyl …Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching (2020)Fiber Optic Reflection Spectr…A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue (2019)A blue can conceal another! N…Probing the Indigo Molecule in Maya Blue Simulants with Resonance Raman Spectroscopy (2018)Probing the Indigo Molecule i…Probing some organic ukiyo-e Japanese pigments and mixtures using non-invasive and mobile infrared spectroscopies (2018)Probing some organic ukiyo-e …Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model (2018)Composition and Color of Maya…ARCHAEOMETRIC STUDY OF ANCIENT MAYA FIGURINES FROM THE COLLECTION OF THE NATIONAL MUSEUM (2018)ARCHAEOMETRIC STUDY OF ANCIEN…Electroanalytical techniques in archaeological and art conservation (2017)Electroanalytical techniques …Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment (2013)Redox Tuning and Species Dist…On the dehydroindigo contribution to Maya Blue (2013)On the dehydroindigo contribu…Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry (2013)Identification of indigoid co…The materials and techniques of medieval painting (1956)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments (2008)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Corrosion of ancient Chinese bronze money trees studied by Raman microscopy (1999)A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments (2000)ATR-FT-IR spectroscopy in the region of 550–230 cm−1 for identification of inorganic pigments (2009)In situ Raman and IR spectroscopic analysis of indigo dye (2010)Imaging Mass Spectrometry with a Low‐Temperature Plasma Probe for the Analysis of Works of Art (2010)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)The Maya Blue Pigment (2011)Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex (2013)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)
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References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1996Maya Blue Paint: An Ancient Nanostructured Material249 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 2005Maya Blue: A Computational and Spectroscopic Study163 cited
  • 1943Painting Materials : a Short Encyclopedia155 cited
  • 2005Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico133 cited
  • 2006SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT*122 cited
  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited
  • 2011Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment111 cited
  • 2007Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment110 cited
  • 2006Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach108 cited
  • 2007Organic/inorganic complex pigments: Ancient colors Maya Blue104 cited
  • 2009A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue100 cited
  • 2009

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The Color and Stability of Maya Blue: TDDFT Calculations
89 cited
  • 2003The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice86 cited
  • Cited by

    • 2013On the dehydroindigo contribution to Maya Blue39 cited
    • 2019A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue33 cited
    • 2017Electroanalytical techniques in archaeological and art conservation32 cited
    • 2013Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment30 cited
    • 2018ARCHAEOMETRIC STUDY OF ANCIENT MAYA FIGURINES FROM THE COLLECTION OF THE NATIONAL MUSEUM27 cited
    • 2018Probing the Indigo Molecule in Maya Blue Simulants with Resonance Raman Spectroscopy26 cited
    • 2018Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model26 cited
    • 2018Probing some organic ukiyo-e Japanese pigments and mixtures using non-invasive and mobile infrared spectroscopies21 cited
    • 2022Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment21 cited
    • 2013Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography–mass spectrometry20 cited
    • 2020Fiber Optic Reflection Spectroscopy–Near-Infrared Characterization Study of Dry Pigments for Pictorial Retouching15 cited