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Venetian Instrumental Music from Gabrieli to Vivaldi
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Venetian Instrumental Music from Gabrieli to Vivaldi (1976)Venetian Instrumental Music from Gabrieli…The Cambridge History of Sixteenth-Century Music (2019)The Cambridge History of Sixt…Music in the Early Colonial World (2019)Music in the Early Colonial W…The Cambridge Encyclopedia of Brass Instruments (2018)The Cambridge Encyclopedia of…[Uno] Miracolo da far stupire : Transformation and Il Guercino’s “St. Francis in Ecstasy with St. Benedict” (2013)[Uno] Miracolo da far stupire…Instrumental Music and 'Conversazione' in Early Seicento Venice: Biagio Marini's 'Affetti Musicali' (1617) (2012)Instrumental Music and 'Conve…Claver Morris, an Early Eighteenth-Century English Physician and Amateur MusicianExtraordinaire (2008)Claver Morris, an Early Eight…Form and gesture: canzona, sonata and concerto (2005)Form and gesture: canzona, so…Don Juan de Austria and the Venetian music trade (2005)Don Juan de Austria and the V…Music in court festivals of state: festival books as sources for performance practices (2000)Music in court festivals of s…Acquiring Musicians and Instruments in the Early Baroque: Observations from Mantua (1996)Acquiring Musicians and Instr…The Emergence of Women Composers in Italy, 1566–1700 (1986)The Emergence of Women Compos…"Venezia favorita da Maria": Music for the Madonna Nicopeia and Santa Maria della Salute (1984)"Venezia favorita da Maria": …Singers at San Marco in Venice: The Competition Between Church and Theatre (c1675–c1725) (1981)Singers at San Marco in Venic…Music in the Myth of Venice (1977)Music in the Myth of VeniceMusic and Patronage in Sixteenth-Century Mantua (1982)Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood (1998)Roman monody, cantata, and opera from the circles around Cardinal Montalto (1998)Orfeo's Machines (2008)Die katholische Kirchenmusik (1934)“MUSIC IN WESTERN CIVILIZATION” (1942)Saggio sopra l’opera in musica (2015)How to Impress the Public: Farinelli's Venetian Debut in 1728–1729 (2020)Le opere DI Galileo Galilei (1842)Patronage, art, and society in Renaissance Italy (1987)Aristotle's Nicomachean ethics (2011)The Letters of Claudio Monteverdi (1981)The letters of Claudio Monteverdi (1996)The Cambridge History of Musical Performance (2012)The performer and the composer (2012)Plague and Music in the Renaissance (2017)Civic Ritual in Renaissance Venice (2020)Architectural principles in the age of humanism (1949)Venice, A Maritime Republic (1973)Die Musik in Geschichte und Gegenwart (1989)Rore's "selva selvaggia": The "Primo libro" of 1542 (1989)The Academy of Domenico Venier, Music's Literary Muse in Mid-Cinquecento Venice (1991)Becoming Visible: Women in European History (1977)The Renaissance Notion of Woman (1980)Early Feminist Theory and the "Querelle des Femmes", 1400-1789 (1982)The History of Violin Playing from Its Origins to 1761 (1967)Four and Twenty Fiddlers (1993)French Baroque music from Beaujoyeulx to Rameau (1998)The Mediterranean and the Mediterranean World in the Age of Philip II (1974)Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking (2003)EU 7 FP project Governing urban divercity: Creating social cohesion, social mobility and economic performance in today’s hyper-diversified cities (DIVERCITIES) – The case of Warsaw (2017)Dizionario biografico degli italiani (1960)Classic Music: Expression, Form, and Style (1981)Feminine Endings: Music, Gender, and Sexuality (1992)Renaissance Polyphony (2020)Encounters with Music in Rudolf II's Prague (2021)
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Cited by

  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 1984"Venezia favorita da Maria": Music for the Madonna Nicopeia and Santa Maria della Salute46 cited
  • 1977Music in the Myth of Venice45 cited
  • 2019Music in the Early Colonial World24 cited
  • 1986The Emergence of Women Composers in Italy, 1566–170014 cited
  • 1996Acquiring Musicians and Instruments in the Early Baroque: Observations from Mantua7 cited
  • 2005Form and gesture: canzona, sonata and concerto6 cited
  • 2012Instrumental Music and 'Conversazione' in Early Seicento Venice: Biagio Marini's 'Affetti Musicali' (1617)5 cited
  • 2018The Cambridge Encyclopedia of Brass Instruments5 cited
  • 1981Singers at San Marco in Venice: The Competition Between Church and Theatre (c1675–c1725)4 cited
  • 2005Don Juan de Austria and the Venetian music trade3 cited
  • 2000Music in court festivals of state: festival books as sources for performance practices2 cited
  • 2008Claver Morris, an Early Eighteenth-Century English Physician and Amateur MusicianExtraordinaire2 cited
  • 2013[Uno] Miracolo da far stupire : Transformation and Il Guercino’s “St. Francis in Ecstasy with St. Benedict”1 cited

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