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The art of improvisation and the aesthetics of imperfection
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The art of improvisation and the aesthetics of imperfection (2000)The art of improvisation and the aestheti…Improvisation as a Method of Composition: Reconciling the Dichotomy (2022)Improvisation as a Method of …The impact of musical improvisation on children’s creative thinking (2021)The impact of musical improvi…The Experimental Composition Improvisation Continua Model: A Tool for Musical Analysis (2021)The Experimental Composition …The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes (2020)The Aesthetics of Imperfectio…Popular Song Afterlives (2019)Popular Song AfterlivesWhy is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries (2018)Why is Style Not in Fashion? …The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics (2016)The Aesthetics of Electronic …Improvisation in the Arts (2015)Improvisation in the ArtsAnalytic Philosophy and Music (2015)Analytic Philosophy and MusicMixing the Immiscible: Improvisation within Fixed-Media Composition (2012)Mixing the Immiscible: Improv…A Phan on Phish: Live Improvised Music in Five Performative Commitments (2010)A Phan on Phish: Live Improvi…L’oralité avec impertinence (2009)L’oralité avec impertinence“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers (2008)“What I Call a Sound”: Anthon…The Consequences of Literacy (1963)The Psychology of Literacy (1981)Ways with Words (1983)Intersubjectivity Without Agreement (1996)Digital Natives, Digital Immigrants Part 1 (2001)Digital Natives, Digital Immigrants (2012)Languages of Art (1976)Improvisation: Its Nature And Practice In Music (1980)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. (1996)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)The Man Who Tasted Shapes (2003)Improvisation and Collaboration in Anthony Braxton’sComposition 76 (2018)Performing Rites (1996)Audio Culture: Readings in Modern Music (2004)Stanford Encyclopedia of Philosophy (2015)Culture in Action: Symbols and Strategies (1986)When choice is demotivating: Can one desire too much of a good thing? (2000)The Paradox of Choice: Why More Is Less (2004)Politics of Meaning in Categorizing Innovation: How Chefs Advanced Molecular Gastronomy by Resisting the Label (2019)Do Consumers Respond to Social Movements? Evidence from Gender-Stereotypical Purchases After #MeToo (2024)Style and quality: Aesthetic innovation strategy under weak appropriability (2024)Tractatus Logico-Philosophicus (1923)On Certainty (1969)The New Grove dictionary of music and musicians (2001)The nature of human intelligence (1967)The Nature of Human Intelligence (1968)The social psychology of creativity: A componential conceptualization. (1983)Encouraging and assessing preschool children’s musical creativity (2022)The influence of digital educational games on preschool Children's creative thinking (2022)Age-related changes in creative thinking during late childhood: The contribution of cooperative learning (2023)Problems of Dostoevsky's Poetics (1984)Gender trouble: feminism and the subversion of identity (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)The New Grove Dictionary of Music and Musicians (1981)The Imaginary Museum Of Musical Works (2007)Beyond the score: music as performance (2014)
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  • 2021The impact of musical improvisation on children’s creative thinking53 cited
  • 2018Why is Style Not in Fashion? Using the Concept of “Style” to Understand the Creative Industries31 cited
  • 2015Improvisation in the Arts24 cited
  • 2009L’oralité avec impertinence20 cited
  • 2020The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes19 cited
  • 2008“What I Call a Sound”: Anthony Braxton’s Synaesthetic Ideal and Notations for Improvisers12 cited
  • 2016The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics8 cited
  • 2010A Phan on Phish: Live Improvised Music in Five Performative Commitments7 cited
  • 2022Improvisation as a Method of Composition: Reconciling the Dichotomy4 cited
  • 2012Mixing the Immiscible: Improvisation within Fixed-Media Composition4 cited
  • 2021The Experimental Composition Improvisation Continua Model: A Tool for Musical Analysis4 cited
  • 2019Popular Song Afterlives3 cited
  • 2015Analytic Philosophy and Music3 cited

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