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Where is Here? An Issue of Deictic Projection in Recorded Song
9 references·0 citing·29 second hop
Where is Here? An Issue of Deictic Projection in Recorded Song (2010)Where is Here? An Issue of Deictic Projec…Ways of Listening (2005)Ways of ListeningIn the Houses of the Holy: Led Zeppelin and the Power of Rock Music (2001)In the Houses of the Holy: Le…Categorical conventions in music discourse: style and genre (2001)Categorical conventions in mu…Philosophy in the flesh (1999)Philosophy in the fleshForces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music (1996)Forces, Containers, and Paths…More Than Cool Reason: A Field Guide to Poetic Metaphor (1990)More Than Cool Reason: A Fiel…Conditions of Music (1984)Conditions of MusicInterpretation Theory: Discourse and the Surplus of Meaning. (1978)Interpretation Theory: Discou…The Senses Considered as Perceptual Systems (1969)The Senses Considered as Perc…The Language of Thought (1975)Women, Fire, and Dangerous Things (1987)Analysis and Interpretation of Qualitative Data in Consumer Research (1994)The Career of Metaphor. (2005)Philosophy and the Mirror of Nature (2008)A Method for Linguistic Metaphor Identification (2010)A voice without a face: popular music and the phonograph in the 1890s (1991)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Music and Mediation: Toward a New Sociology of Music (2012)Narration as a human communication paradigm: The case of public moral argument (1984)Psychological Aspects of Natural Language Use: Our Words, Our Selves (2002)A phenomenological hermeneutical method for researching lived experience (2004)The Metaphor of Musical Space (2003)Metaphor and music (2008)Let’s Talk Music: A Corpus-Based Account of Musical Motion (2014)Minds, brains, and programs (1980)The motor theory of speech perception revised (1985)The Functional Architecture of Human Empathy (2004)Investigating musical performance: commonality and diversity among classical and non-classical musicians (2008)Key Components of Musical Discourse Analysis (2013)The End(s) of Genre (2013)Formulating a Revised Taxonomy for Modes of Listening (2012)Investigating the influence of musical training on cross-modal correspondences and sensorimotor skills in a real-time drawing paradigm (2013)Creating Time: Social Collaboration in Music Improvisation (2017)A Hermeneutics of Spatialization for Recorded Song (2009)Introduction (2016)Creativity: Linchpin in the quest for a viable theory of cultural evolution. (2019)Empathy: Its ultimate and proximate bases (2002)Listening to Action-related Sentences Activates Fronto-parietal Motor Circuits (2005)
this work references cited by second hop

References

  • 1969The Senses Considered as Perceptual Systems6,336 cited
  • 1999Philosophy in the flesh1,982 cited
  • 1978Interpretation Theory: Discourse and the Surplus of Meaning.1,844 cited
  • 1990More Than Cool Reason: A Field Guide to Poetic Metaphor1,696 cited
  • 2005Ways of Listening466 cited
  • 1996Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music215 cited
  • 2001Categorical conventions in music discourse: style and genre123 cited
  • 1984Conditions of Music70 cited
  • 2001In the Houses of the Holy: Led Zeppelin and the Power of Rock Music62 cited

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