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Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis · Study

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ArticleOrientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis

Dora A. Hanninen2001

Article2001

Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis

Dora A. Hanninen

31 citations·0/0 files stored·Journal of Music Theory

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Musicology and Musical Analysis Music Technology and Sound Studies Music and Audio Processing

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References

1980The Scientific Image 1986Music Theory, Phenomenology, and Modes of Perception 1987Composition With Pitch-Classes 1981Segmentation and Process in Post-Tonal Music 1987Relating Musical Contours: Extensions of a Theory for Contour 1992The Autonomy of Motives in Schenkerian Accounts of Tonal Music 1988Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One 2003A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition

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2021Segmentation, Phrasing, and Meter in Hip-Hop Music 2020Specters of Sex. Tracing the Tools and Techniques of Contemporary Music Analysis 2004Associative Sets, Categories, and Music Analysis 2013Sound and semantics: topics in the music of Arnold Schoenberg 2008Schoenberg's Interior Designs 2007Repetition in Music: Theoretical and Metatheoretical Perspectives

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1989The State of Research in Twelve-Tone and Atonal Theoryarticle · 5 shared references 2003A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetitionarticle · 4 shared references 2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Ideaarticle · 4 shared references 2001Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Musicarticle · 4 shared references 2007Repetition in Music: Theoretical and Metatheoretical Perspectivesarticle · 4 shared references 2004Transformational Streams: Unraveling Melodic Processes in Twentieth-Century Motivic Musicarticle · 4 shared references

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Year2001

Typearticle

Published2001-10-01

VenueJournal of Music Theory

ISSN-L0022-2909

Languageen

Citations31

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.2307/3653443

openalex_workW1965965613

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2009A n I magined D rama of C ompetitive O pposition in C arter 'sS crivo in V ento , with N otes on N arrative , S ymmetry , Q uantitative F lux and H eraclitus

2012“Possible Paths”