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Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis

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2004

Associative Sets, Categories, and Music Analysis

22 cited

2013Sound and semantics: topics in the music of Arnold Schoenberg15 cited

2008Schoenberg's Interior Designs10 cited

2007Repetition in Music: Theoretical and Metatheoretical Perspectives6 cited

2009A n I magined D rama of C ompetitive O pposition in C arter 'sS crivo in V ento , with N otes on N arrative , S ymmetry , Q uantitative F lux and H eraclitus5 cited

2012“Possible Paths”5 cited

2014Motivic cohesion and parsimony in three songs from Gentle Giant's Acquiring the Taste (1971)3 cited