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Music and the French Revolution
0 references·15 citing·32 second hop
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Cited by

  • 1992Political Representation and the Chorus in Nineteenth-Century Opera37 cited
  • 2014BEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–181433 cited
  • 2015The Cambridge Companion to French Music33 cited
  • 2015The Renaissance21 cited
  • 1993Literary motifs, musical form and the quest for the ‘Sublime’: Cherubini'sEliza ou le Voyage aux glaciers du Mont St Bernard20 cited
  • 2013Parody of Greco-Roman Myth in Offenbach’s Orfée aux enfers and La belle Hélène19 cited
  • 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
  • 2010Choral Research : A Global Bibliography13 cited
  • 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited
  • 2018TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON12 cited
  • 2009Folias de Espanha: o eterno retorno5 cited
  • 2022COVID-19 and the Ugandan Presidential Election: Contesting Lockdown Authority in Popular Songs4 cited
  • 2011Marvelous Machines: Revitalizing Enlightenment Opera4 cited
  • 2018OPÉRA-COMIQUE, CULTURAL POLITICS AND IDENTITY IN SCANDINAVIA 1760–18003 cited

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2017
A Lady-in-Waiting’s Account of Marie Antoinette’s Musical Politics: Women, Music, and the French Revolution
3 cited