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From Symbols to Spirit: Changing Conceptions of National Identity in Chinese Fashion
2 references·16 citing·42 second hop
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this work references cited by second hop

References

  • 2010Politics of Dress in Asia and the Americas78 cited
  • 2009Chinese Fashion50 cited

Cited by

  • 2023New Fashion Identity and the State in China: A Decolonial Interpretation19 cited
  • 2022Implementation of Chinese-styled branding in global fashion: ‘Guochao’ as a rising cultural identity18 cited
  • 2017Clothing and meaning making: a multimodal approach to women’s abayas18 cited
  • 2020The political culture of non-western fashion identities112 cited
  • 2025Sustaining Traditional Clothing Styles and Cultural Heritage: A Multiple Case Analysis Approach11 cited
  • 2021Re-Negotiating National Identity Through Chinese Fashion10 cited
  • 2024Reinventing Fashion as an Affective Apparatus by China's Youth: Bilibili, Danmaku Commentaries, and the Online Hanfu Ceremony During the COVID-19 Outbreak8 cited
  • 2023Design Expression of “Chinese-style” Costumes in the Context of Globalization6 cited
  • 2019Fashion Designers and National Identity: A Comparative Empirical Analysis of Chinese and Korean Fashion Designers6 cited
  • 2022The Instrumental Consumption of Ethnic Culture: Assessing Two Economically Driven Ways of Consuming the Cheongsam in China5 cited
  • 2020A Mechanism of the Chinese Fashion System4 cited
  • 2020Research on Contemporary “Chinese Theme” Fashion Design based on Aesthetic Distance Theory

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4 cited
  • 2025Chinese Women in Hanfu: A Gendered Subject Narrative in the Cultural Nationalist Movement3 cited
  • 2020Clothing Degree Zero: A Late Reading of Barthes’ Fashion ‘System’3 cited
  • 2017Fashioning tradition in contemporary Korean fashion2 cited
  • 2021The “Chinese Style” of Chinese New Generation Fashion Designers in Shanghai Fashion Week2 cited