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Methodology and Application of GC‐MS to Study Altered Organic Binding Media from Objects of the Kunsthistorisches Museum, Vienna

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References

1987The Organic Chemistry of Museum Objects202 cited
2000GC-MS characterization of paint varnishes92 cited
1998Comparative chromatographic and mass-spectrometric studies of triterpenoid varnishes: fresh material and aged samples from paintings85 cited
1999Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings73 cited
1998Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids58 cited
2003An Egyptian Cartonnage of the Graeco-Roman Period54 cited
1997Critical ReviewApplications of Chromatography in Art Conservation: Techniques Used for the Analysis and Identification of Proteinaceous and Gum Binding Media43 cited
2005Gas Chromatography – Mass Spectrometry of Binding Media from Early 20th Century Paint Samples from Arnold Schönberg’s Palette37 cited
1998Comparative Chromatographic and Mass-Spectrometric Studies of Triterpenoid Varnishes: Fresh Material and Aged Samples from Paintings35 cited
1998GC-MS and SEM Studies on the Effects of Solvent Cleaning on Old Master Paintings from the National Gallery, London33 cited
2000Tradition and innovation : advances in conservation : IIC contributions to the Melbourne Congress, 10-14 October 20003 cited

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2017Buddhist Wall Paintings at Nako Monastery, North India: Changing of the Technology Throughout Centuries17 cited

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2016Natural products such as adhesives in oil paintings12 cited