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Focusing on a seacoast New Hampshire African American burying ground and the grave of a white woman buried in a Massachusetts rural cemetery, this article considers how the essential nature of the cemetery makes it both a very usual and unusual memory place. Considering de Certeau's distinctions between space and place as well as Foucault's definition of a heterotopia, this paper argues that the paradoxes of the heterotopia combined with the symbolism and materiality of the grave make the cemetery a particularly potent lieu de mémoire for those otherwise forgotten in public memory.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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