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Phrase Rhythm as Form in Classical Instrumental Music
5 references·6 citing·33 second hop
Phrase Rhythm as Form in Classical Instrumental Music (2012)Phrase Rhythm as Form in Classical Instru…Normalizing the Abnormal: Disability in Music and Music Theory (2006)Normalizing the Abnormal: Dis…End-Accented Phrases: An Analytical Exploration (2003)End-Accented Phrases: An Anal…Outer-Voice Conflicts: Their Analytical Challenges and Artistic Consequences (2000)Outer-Voice Conflicts: Their …Cadential processes: The evaded cadence and the “one more time” technique (1992)Cadential processes: The evad…The Main Stream of Music and Other Essays (1950)The Main Stream of Music and …A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire (2021)A Myriad of Exceptions? Chall…End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression (2020)End-Accented Sentences: Towar…Alternative Paths, Phrase Expansion, and the Music of Felix Mendelssohn (2019)Alternative Paths, Phrase Exp…Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study (2016)Phrase Rhythm in Standard Jaz…Historical Hypermetrical Hearing (2015)Historical Hypermetrical Hear…The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)The harmonic implications of …Musical Form and Musical Performance (1969)Garden Path Phenomena and the Grammatical Basis of Language Processing (1988)Music in the Galant Style (2007)Who Listens? (2025)Fundamentals of Musical Composition (1968)Classic Music: Expression, Form, and Style (1981)Phrase Rhythm in Tonal Music (1991)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Form, Program, and Metaphor in the Music of Berlioz (2009)Harmony in Haydn and Mozart (2012)Stigma: Notes on the Management of Spoiled Identity (1969)Women, Fire, and Dangerous Things (1987)Metaphors We Live By (2003)Disability and “Late Style” in Music (2008)Extraordinary Measures (2011)Class, Control, and Classical Music (2019)The American popular ballad of the Golden Era, 1924-1950 (1996)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Four Studies of Charlie Parker's Compositional Processes (2018)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Methodology of the Social Sciences (1950)Emotion and Meaning in Music (1957)Early Double and Triple Returns in Galant Music (2025)Dissonant Prolongations Again (2016)The Predominant Six-Four in the Late Music of Richard Strauss (2023)Processual Tonality and the Psychoacoustics of Chromaticism (2025)Hypermetrical Transitions (2008)Punctuation and Sense in Late-Eighteenth-Century Music (2010)Gjerdingen’s Schemata Reexamined (2018)Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint (1987)Sonata Form and the Problem of Second‐Theme Beginnings (2013)The Viennese symphony 1750 to 1827 (2013)
this work references cited by second hop

References

  • 1992Cadential processes: The evaded cadence and the “one more time” technique174 cited
  • 2006Normalizing the Abnormal: Disability in Music and Music Theory172 cited
  • 2003End-Accented Phrases: An Analytical Exploration79 cited
  • 1950The Main Stream of Music and Other Essays41 cited
  • 2000Outer-Voice Conflicts: Their Analytical Challenges and Artistic Consequences35 cited

Cited by

  • 2015Historical Hypermetrical Hearing19 cited
  • 2016Phrase Rhythm in Standard Jazz Repertoire: A Taxonomy and Corpus Study8 cited
  • 2021A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire8 cited
  • 2019Alternative Paths, Phrase Expansion, and the Music of Felix Mendelssohn6 cited
  • 2020End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression5 cited
  • 2013The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach4 cited

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