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The Texas-Mexican Conjunto: History of a Working-Class Music
0 references·16 citing·58 second hopsampled
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  • 1994Music and Language394 cited
  • 1991Reconsidering Anthropological Explanations of Ethnic School Failure147 cited
  • 2008Nor-tec Rifa!103 cited
  • 2008Ethnic Minorities’ Cultural and Artistic Practices as Forms of Political Expression: A Review of the Literature and a Theoretical Discussion on Music82 cited
  • 1999Sociolinguistics and Linguistic Anthropology of US Latinos76 cited
  • 2000The Aural Border53 cited
  • 2003Processes of identification on the U.S.-Mexico border47 cited
  • 2011Envisioning Folklore Activism47 cited
  • 1986Frontiers, Settlements, and Development in Folklore Studies, 1972-198546 cited
  • 2001Narcocorridos: An Emerging Micromusic of Nuevo L. A.43 cited
  • 2006Los gallos valientes: Examining Violence in Mexican Popular Music39 cited
  • 1998Popular song and popular music on stage and film38 cited
  • 2008Chicano Rap: Gender and Violence in the Postindustrial Barrio36 cited
  • 2015The sounds of latinidad: immigrants making music and creating culture in a southern city34 cited
  • 2008Working musicians: exploring the rhetorical ties between musical labour and leisure

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32 cited
  • 2008Border Literary Histories, Globalization, and Critical Regionalism32 cited