References

No references inside the corpus for this window.

Cited by

• 2008Competing Utopias? Musical Ideologies in the 1930s and Two Spanish Civil War Films27 cited
• 2016The Composers’ Collective of New York, 1932–1936: Bourgeois Modernism for the Proletariat24 cited
• 1985Fighting with Words: American Composers' Commentary on Their Work23 cited
• 2003Aaron Copland and the Popular Front20 cited
• 1981Toward a Philosophy of Black Music Scholarship15 cited
• 1996Edward MacDowell: Musical Nationalism and an American Tone Poet14 cited
• 2008Paul Robeson's Ballad for Americans: Race and the Cultural Politics of “People's Music”13 cited
• 2020"The Varied carols I hear": The music of the New Deal in the West12 cited
• 2012The American Stravinsky: the style and aesthetics of Copland's new American music, the early works, 1921-19385 cited
• 2004The Metropolitan Opera in the American Century: Opera Singers, Europe, and Cultural Politics3 cited
• 2012The 1964 Festival of Music of the Americas and Spain: A Critical Examination of Ibero-American Musical Relations in the Context of Cold War Politics3 cited