Music at the Margins: Popular Music and Global Cultural Diversity

Julian Tanner · Deanna Campbell Robinson · Elizabeth B. Buck · Marlene Cuthbers

55 citations0/0 files storedThe Canadian Journal of Sociology

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Music History and Culture Musicology and Musical Analysis Diverse Musicological Studies

Abstract

PART ONE: POPULAR MUSIC AND SOCIETY Popular Music Meanings Industrial Roots PART TWO: NATIONAL CASE STUDIES Popular Music in Peripheral Contexts I Popular Music in Peripheral Contexts II Peripheral Production and the Core Industry PART THREE: MAKING MUSIC ON THE PERIPHERY Everyday Conditions Recording and Publicity Conditions The Musicians and their Music Environment and Creativity PART FOUR: 'POPULAR MUSIC AND SOCIETY' REVISITED Further Thoughts on Popular Music Meanings A Critical Response - Simon Frith

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 55 citations exist upstream.

Cited by

2003Branding and Discourse: The Case of Cosmopolitan 2003Cultures at work: Why 'culture' matters in research on the 'cultural' industries 2003Global schemas and local discourses in Cosmopolitan 2004Global media: generic homogeneity and discursive diversity 2016The Globalization of Popular Music, 1960-2010: A Multilevel Analysis of Music Flows 2009Reconsidering Transnational Cultural Flows of Popular Music in East Asia: Transbordering Musicians in Japan and Korea Searching for "Asia"1997MTV and the Globalization of Popular Culture 1992"World Music" and the Global Cultural Economy

Imported from OpenAlex (CC0) — nothing here is generated.