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The queen Christina tie‐ups: Convergence of show window and screen
16 references·10 citing·25 second hop
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References

  • 1976A Theory of Semiotics2,906 cited
  • 2010Subculture1,268 cited
  • 2003The Classical Hollywood Cinema728 cited
  • 1972Mother Camp: Female Impersonators in America676 cited
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  • 1988Adorned in dreams: fashion and modernity605 cited
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  • 1984Advertising, the uneasy persuasion419 cited
  • 1986'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985380 cited
  • 1984The Mythic Mannish Lesbian: Radclyffe Hall and the New Woman339 cited
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  • 1985Film Theory and Criticism298 cited
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  • 1979Film theory and criticism230 cited
  • 1987Just Looking: Consumer Culture in Dreiser, Gissing and Zola212 cited

Cited by

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  • 2004News, Reviews, Clues, Interviews and Other Ancillary Materials - a Critique and Research Proposal35 cited
  • 2023The Practice of Love27 cited
  • 2009“DARN THAT MERRY WIDOW HAT”: THE ON- AND OFFSTAGE LIFE OF A THEATRICAL COMMODITY, CIRCA 1907–190824 cited
  • 2014In the Window at Disney: A Lifetime of Brand Desire11 cited
  • 2009Symptoms of desire: colour, costume, and commodities in fashion newsreels of the 1910s and 1920s11 cited
  • 2020Introduction: touch, click and motion: archaeologies of fashion film after digital culture9 cited
  • 2021Fashion-forward killer: Villanelle, costuming and queer style in Killing Eve8 cited
  • 2019Retail Tales and Tribulations: Transmedia Brands, Consumer Products, and the Significance of Shop Talk6 cited
  • 2022Sartorial Fandom5 cited
  • 2021Fashion in cinema: reframing the field2 cited