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Do Artists Benefit from Arts Policy? The Position of Performing Artists in Flanders (2001–2008)
16 references·1 citing·40 second hop
Do Artists Benefit from Arts Policy? The Position of Performing Artists in Flanders (2001–2008) (2010)Do Artists Benefit from Arts Policy? The …Aesthetics and the Sociology of Art (2021)Aesthetics and the Sociology …The Cultural Industries (2019)The Cultural IndustriesState Support of Artists: The Case of the United Kingdom in a New Labour Environment and Beyond (2007)State Support of Artists: The…Financing the Arts: The Consequences of Interaction among Artists, Financial Support, and Creativity Motivation (2007)Financing the Arts: The Conse…Dilemmas in Policy Support for the Arts and Cultural Sector (2005)Dilemmas in Policy Support fo…ADMINISTRATIVE DEFINITIONS OF ARTISTS IN THE NORDIC MODEL OF STATE SUPPORT FOR ARTISTS (2005)ADMINISTRATIVE DEFINITIONS OF…Investing in Creativity: A Study of the Support Structure for U.S. Artists (2004)Investing in Creativity: A St…From Public Support for the Arts to Cultural Policy (2004)From Public Support for the A…Creativity and Arts Policy (2004)Creativity and Arts PolicyConceiving Artistic Work in the Formation of Artist Policy: Thinking Beyond Disinterest and Autonomy (2004)Conceiving Artistic Work in t…Why Are Artists Poor? (2002)Why Are Artists Poor?The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States (1999)The State and the Arts: An An…How to identify artists? Defining the population for ‘status-of-the-artist’ studies (1998)How to identify artists? Defi…Evaluating the effects of direct support on the economic situation of artists (1995)Evaluating the effects of dir…Aesthetics and the Sociology of Art. (1983)Aesthetics and the Sociology …Aesthetics and the Sociology of Art (1983)Aesthetics and the Sociology …Reclaiming policy in the Myanmar popular music industry (2020)Reclaiming policy in the Myan…The field of cultural production, or: The economic world reversed (1983)Classification in Art (1987)The rules of art (1996)ARTISTS' CAREERS AND THEIR LABOR MARKETS (2006)The happy artist: an empirical application of the work-preference model (2012)Artists and Shanghai's culture-led urban regeneration (2015)An introduction to the study of public policy (1977)Constructing the Political Spectacle. (1989)Agendas and instability in American politics (1993)Framing Cultural Resource Policies in Comprehensive Plans (2014)Cultural Policy and Governance: Reviewing Policies Related to Cultural and Creative Industries Implemented by the Central Government of Taiwan Between 2002 and 2012 (2015)Understanding American cultural policy: the multi-level governance of the arts and humanities (2018)ARTISTIC LABOR MARKETS AND CAREERS (1999)Securing Prosperity (1999)Creative industries: contracts between art and commerce (2000)Cultural development and city neighborhoods (2011)Artists as workers in the rural; precarious livelihoods, sustaining rural futures (2018)Masters of None? How Cultural Workers Use Reframing to Achieve Legitimacy in Portfolio Careers (2021)In Praise of Commercial Culture (2000)Why Do Companies Sponsor Arts Events? Some Evidence and a Proposed Classification (2000)Analysing cultural policy: incorrigibly plural or ontologically incompatible? (2010)The more funding the better? The moderating role of knowledge stock on the effects of different government-funded research projects on firm innovation in Chinese cultural and creative industries (2018)The Production of Culture Perspective (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)Arts and Business: The Impact of Business Models on the Activities of Major Performing Arts Organisations in Australia (2010)The Advantage of Proximity: The Distinctive Role of Local Government in Cultural Policy (2014)The continuing saga around arts funding and the cultural wars in Australia (2017)Digital Radio Production (2000)Reimagining athletic nudity: the sexualization of sport as a sign of a ‘porno-ization’ of culture (2013)Understanding hospitality service aesthetics through the lens of aesthetic theory (2023)A Textbook of Cultural Economics (2010)Unrewarded careers in the creative class: The strange case of bohemian graduates (2010)A Textbook of Cultural Economics (2019)Social Inequality and the Arts (1985)Why is Music So Ideological, and Why Do Totalitarian States Take It So Seriously? A Personal View from History and the Social Sciences (2007)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)Postmodernism, Post-Fordism, and Critical Social Theory (1988)Ballet, Gender and Cultural Power (1993)Symbolic Meanings of Prices: Constructing the Value of Contemporary Art in Amsterdam and New York Galleries (2008)
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References

  • 2019The Cultural Industries1,153 cited
  • 2002Why Are Artists Poor?209 cited
  • 1999The State and the Arts: An Analysis of Key Economic Policy Issues in Europe and the United States91 cited
  • 1998How to identify artists? Defining the population for ‘status-of-the-artist’ studies74 cited
  • 1983Aesthetics and the Sociology of Art72 cited
  • 1983Aesthetics and the Sociology of Art.58 cited
  • 2021Aesthetics and the Sociology of Art53 cited
  • 2004Investing in Creativity: A Study of the Support Structure for U.S. Artists49 cited
  • 2005Dilemmas in Policy Support for the Arts and Cultural Sector33 cited
  • 2004From Public Support for the Arts to Cultural Policy31 cited
  • 2007Financing the Arts: The Consequences of Interaction among Artists, Financial Support, and Creativity Motivation27 cited
  • 2007State Support of Artists: The Case of the United Kingdom in a New Labour Environment and Beyond21 cited
  • 1995Evaluating the effects of direct support on the economic situation of artists14 cited
  • 2005ADMINISTRATIVE DEFINITIONS OF ARTISTS IN THE NORDIC MODEL OF STATE SUPPORT FOR ARTISTS13 cited
  • 2004Creativity and Arts Policy12 cited

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  • 2004Conceiving Artistic Work in the Formation of Artist Policy: Thinking Beyond Disinterest and Autonomy12 cited
  • Cited by

    • 2020Reclaiming policy in the Myanmar popular music industry3 cited