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NEUTRON ACTIVATION AUTORADIOGRAPHY OF OIL PAINTINGS
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NEUTRON ACTIVATION AUTORADIOGRAPHY OF OIL PAINTINGS (1968)NEUTRON ACTIVATION AUTORADIOGRAPHY OF OIL…Computational Imaging for Cultural Heritage: Recent developments in spectral imaging, 3-D surface measurement, image relighting, and X-ray mapping (2016)Computational Imaging for Cul…Rembrandt’s An Old Man in Military Costume: the underlying image re-examined (2015)Rembrandt’s An Old Man in Mil…Neutron activation autoradiography and scanning macro-XRF of Rembrandt van Rijn’s Susanna and the Elders (Gemäldegalerie Berlin): a comparison of two methods for imaging of historical paintings with elemental contrast (2015)Neutron activation autoradiog…Radiography of paintings: Limitations of transmission radiography and exploration of emission radiography using phosphor imaging plates (2014)Radiography of paintings: Lim…Old traces, read anew – ‘The Reading Hermit’ painting in the light of X-ray fluorescence (2014)Old traces, read anew – ‘The …Three-dimensional Imaging of Paint Layers and Paint Substructures with Synchrotron Radiation Computed μ-laminography (2009)Three-dimensional Imaging of …The Science of Paintings (2001)The Science of PaintingsUse of synchrotron radiation in archaeometry (1986)Use of synchrotron radiation …Non-destructive elemental analysis of photographic paper and emulsions by X-ray fluorescence spectroscopy (1983)Non-destructive elemental ana…Bulletin of the American Group - The International Institute for Conservation of Historic and Artistic Works (1970)Bulletin of the American Grou…Clay and iron oxide pigments in the history of painting (2003)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Painting Materials: A Short Encyclopedia (2011)The importance of being little: MA‐XRF on manuscripts on a Venetian island (2020)Scanning X-ray Fluorescence Data Analysis for the Identification of Byzantine Icons’ Materials, Techniques, and State of Preservation: A Case Study (2022)X-ray fluorescence (XRF) on painted heritage objects: a review using topic modeling (2024)Cross-Sections and Chemical Analysis of Paint Samples (1956)Embedding Paint Cross-Section Samples in Polyester Resins: Problems and Solutions (1994)Preparation of cross-sections from easel paintings (2003)Improved radiographic methods for the investigation of paintings using laboratory and synchrotron X-ray sources (2011)Visualization of pigment distributions in paintings using synchrotron K-edge imaging (2006)Micro‐Raman analysis for the identification of pigments from 19th and 20th century paintings (2008)The role of analytical chemists in the research on the cultural heritage (2019)A preliminary study of Liu Kang’s palette and the discovery and interpretation of hidden paint layers (2020)Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Contexts for Prehistoric Exchange (1982)European research platform IPANEMA at the SOLEIL synchrotron for ancient and historical materials (2011)Ancient materials specificities for their synchrotron examination and insights into their epistemological implications (2012)X–Ray Based Methods of Analysis (2013)New York, the Metropolitan Museum of Art (1972)Lucas Cranach : ein Maler-Unternehmer aus Franken (1994)Thin-Layer Chromatography for Binding Media Analysis (1997)Copper resinate: an XPS study of degradation (2006)Another beauty of analytical chemistry: chemical analysis of inorganic pigments of art and archaeological objects (2016)Discovery of a woman portrait behind La Violoniste by Kees van Dongen through hyperspectral imaging (2017)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)When de Prony Met Leonardo: An Automatic Algorithm for Chemical Element Extraction From Macro X-Ray Fluorescence Data (2021)Mixed X-Ray Image Separation for Artworks With Concealed Designs (2022)Multimodal Presentations of the Tangible and Intangible Dimensions of Traditional Crafts (2025)
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Cited by

  • 2001The Science of Paintings37 cited
  • 2015Rembrandt’s An Old Man in Military Costume: the underlying image re-examined35 cited
  • 1986Use of synchrotron radiation in archaeometry35 cited
  • 2016Computational Imaging for Cultural Heritage: Recent developments in spectral imaging, 3-D surface measurement, image relighting, and X-ray mapping22 cited
  • 2014Old traces, read anew – ‘The Reading Hermit’ painting in the light of X-ray fluorescence19 cited
  • 2014Radiography of paintings: Limitations of transmission radiography and exploration of emission radiography using phosphor imaging plates15 cited
  • 2015Neutron activation autoradiography and scanning macro-XRF of Rembrandt van Rijn’s Susanna and the Elders (Gemäldegalerie Berlin): a comparison of two methods for imaging of historical paintings with elemental contrast15 cited
  • 2009Three-dimensional Imaging of Paint Layers and Paint Substructures with Synchrotron Radiation Computed μ-laminography13 cited
  • 1983Non-destructive elemental analysis of photographic paper and emulsions by X-ray fluorescence spectroscopy12 cited
  • 1970Bulletin of the American Group - The International Institute for Conservation of Historic and Artistic Works2 cited

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