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The meaning of the blues: musical identities in talk about jazz
16 references·7 citing·28 second hop
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this work references cited by second hop

References

  • 1963Outsiders; studies in the sociology of deviance5,260 cited
  • 1987Discourse and Social Psychology: Beyond Attitudes and Behaviour4,513 cited
  • 2001Discursive psychology3,307 cited
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  • 1986Extreme case formulations: A way of legitimizing claims1,990 cited
  • 1964Outsiders: Studies in The Sociology of Deviance.1,774 cited
  • 1999Developing Focus Group Research1,603 cited
  • 1985Opening Pandora's Box: A Sociological Analysis of Scientists' Discourse.1,580 cited
  • 1991Feminism and Youth Culture1,065 cited
  • 1994Thinking in Jazz1,018 cited
  • 1999Negotiating Hegemonic Masculinity: Imaginary Positions and Psycho-Discursive Practices1,008 cited
  • 1998Coming out in the age of the Internet: Identity "demarginalization" through virtual group participation.843 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 1997Saying something: jazz improvisation and interaction788 cited
  • 1980Improvisation: Its Nature And Practice In Music670 cited
  • 2003Group creativity: music, theater, collaboration

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490 cited

Cited by

  • 2014Musical improvisation and health: a review95 cited
  • 2015Musical choices during group free improvisation: A qualitative psychological investigation83 cited
  • 2020Giving voice to jazz singers’ experiences of flow in improvisation40 cited
  • 2014Storytelling in jazz improvisation: Implications of a rich intermedial metaphor32 cited
  • 2011Markets, music and all that jazz23 cited
  • 2012Musical Identities Mediate Musical Development18 cited
  • 2025What Do Musicians Think of Digital Platforms?4 cited