Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Transformational Aspects of Arvo Pärt's Tintinnabuli Music

14 references·3 citing·34 second hop

FromToDepth

this work references cited by second hop

References

1988Generalized Musical Intervals and Transformations487 cited
1989Aspects of Well-Formed Scales170 cited
1982A Formal Theory of Generalized Tonal Functions148 cited
1992Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music146 cited
2002Uniform Triadic Transformations118 cited
1994Some Remarks on the Use of Riemann Transformations66 cited
2002Isographies and Some Klumpenhouwer Networks They Involve52 cited
1979Aspects of Diatonic Sets51 cited
2008S cale T heory , S erial T heory and V oice L eading40 cited
1994Musical Form and Transformation: Four Analytic Essays34 cited
1999Defining Modular Transformations20 cited
1994The New Simplicity: The Music of Gorecki, Tavener and Part18 cited
2002Klumpenhouwer Networks, Trichords, and Axial Isography18 cited
2009Constructing Transformational Signification13 cited

Cited by

2017Alfred Schnittke’s Triadic Practice6 cited
2013Triadic Music in Twentieth-Century Russia

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

6 cited

2013The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach4 cited