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Un-"blocking" Hedda and Medea through Feminist "Play" with Traditional Staging Forms
9 references·0 citing·30 second hop
Un-"blocking" Hedda and Medea through Feminist "Play" with Traditional Staging Forms (2011)Un-"blocking" Hedda and Medea through Fem…The Routledge Reader in Gender and Performance (2002)The Routledge Reader in Gende…Playing the other: gender and society in classical Greek literature (1996)Playing the other: gender and…Woman's theatrical space (1995)Woman's theatrical spaceFeminist Theories for Dramatic Criticism (1990)Feminist Theories for Dramati…The Bedford Introduction to Drama (1989)The Bedford Introduction to D…Feminism and Theatre (1988)Feminism and TheatreClassic Drag: The Greek Creation of Female Parts (1985)Classic Drag: The Greek Creat…The Laugh of the Medusa (1976)The Laugh of the MedusaThe Living Theatre (1972)The Living TheatreThe Constitution of Society. Outline of the Theory of Structuration (1984)5. The Practice of Everyday Life (2000)American Belly Dance and the Invention of the New Exotic: Orientalism, Feminism, and Popular Culture (2000)PERFORMING PROTEST: DRAG SHOWS AS TACTICAL REPERTOIRE OF THE GAY AND LESBIAN MOVEMENT (2004)Performing industrial relations: the centrality of gender in regulation of work in theatre and television (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)"Shadow of a Mesmeriser": The Female Body on the "Dark" Stage (1997)Show Business: Deixis in Fifth-Century Athenian Drama (2011)A History of Modern Irish Women's Literature (2018)Appropriating Bourdieu: Feminist Theory and Pierre Bourdieu's Sociology of Culture (1991)CULTURE AND CULTURAL ANALYSIS AS EXPERIMENTAL SYSTEMS (2007)THEORIZING QUEER TEMPORALITIES (2007)Civic ideology and the problem of difference: the politics of Aeschylean tragedy, once again (2000)Performance, Utopia, and the "Utopian Performative" (2001)The Cambridge Introduction to Theatre Studies (2008)Oedipus the Queen: Cross-gendering without Drag (2003)Feminist Performance Criticism and the Popular: Reviewing Wendy Wasserstein (2008)Gender Representation In Nollywood Video Film Culture (2012)A paradigm for performance studies (1987)Fighting in the Streets: Dramaturgies of Popular Protest, 1968—1989 (1997)Myth, Matter, Queerness: The Cinema of Willard Maas, Marie Menken, and the Gryphon Group, 1943–1969 (2009)HOW TO DO THE HISTORY OF MALE HOMOSEXUALITY (2000)The competence of theatre audiences in fifth- and fourth-century Athens (2006)The Pregnant Male as Myth and Metaphor in Classical Greek Literature (2012)Framing the Classroom: Pedagogy, Power, Oleanna (2000)A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays. (2002)Stage(d) mothers: mother-daughter tropes in Twentieth-Century American drama (2006)A Touch of Evil (1994)Art in América con Acento (1994)Performing Gender (1994)
this work references cited by second hop

References

  • 1976The Laugh of the Medusa2,291 cited
  • 1996Playing the other: gender and society in classical Greek literature576 cited
  • 1988Feminism and Theatre396 cited
  • 1990Feminist Theories for Dramatic Criticism85 cited
  • 1989The Bedford Introduction to Drama51 cited
  • 1972The Living Theatre47 cited
  • 1995Woman's theatrical space46 cited
  • 2002The Routledge Reader in Gender and Performance44 cited
  • 1985Classic Drag: The Greek Creation of Female Parts41 cited

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