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Microphone Czech, Keepin' It Real: Politics of Creative Strategy in Cross-Cultural Music Production
16 references·1 citing·36 second hop
Microphone Czech, Keepin' It Real: Politics of Creative Strategy in Cross-Cultural Music Production (2013)Microphone Czech, Keepin' It Real: Politi…Production Studies (2009)Production StudiesThe Politics of Cultural Work (2007)The Politics of Cultural WorkStuart Hall: Critical Dialogues in Cultural Studies (2006)Stuart Hall: Critical Dialogu…Making beats: the art of sample-based hip-hop (2005)Making beats: the art of samp…Appropriating blackness: performance and the politics of authenticity (2004)Appropriating blackness: perf…Representation, Legitimation, and Autoethnography: An Autoethnographic Writing Story (2003)Representation, Legitimation,…Global Noise: Rap and Hip‐Hop outside the USA. (2003)Global Noise: Rap and Hip‐Hop…Appropriating Blackness (2003)Appropriating BlacknessHybridity in Cultural Globalization (2002)Hybridity in Cultural Globali…Western music and its others : difference, representation, and appropriation in music (2000)Western music and its others …Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Bl…Racial Formation in the United States: From the 1960s to the 1990s (1994)Racial Formation in the Unite…GLOBALISATION AS HYBRIDISATION (1994)GLOBALISATION AS HYBRIDISATIONGender Advertisements. (1979)Gender Advertisements.“Utopia isn’t for Everyone”: Career Inequalities and Adaptations among Female Independent Musicians (2024)“Utopia isn’t for Everyone”: …Marxism and the philosophy of language (1973)The Postmodern Condition: A Report on Knowledge (1984)Feminist practice and poststructuralist theory (1988)It's All In the Family: Intersections of Gender, Race, and Nation (1998)Rethinking Critical Theory and Qualitative Research (2011)Intersectionality's Definitional Dilemmas (2015)Naturalistic inquiry (1985)Handbook of Qualitative Research (1994)Handbook of qualitative research (1999)Autoethnography: Critical Appreciation of an Emerging Art (2004)Easier Said than Done: Writing an Autoethnography (2008)Living Autoethnography: Connecting Life and Research (2010)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)In the Social Factory? (2008)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)Breaking the silence: The hidden injuries of neo-liberal academia (2016)Just what is critical race theory and what's it doing in a nice field like education? (1998)The Complexity of Intersectionality (2005)The Sociology of Discrimination: Racial Discrimination in Employment, Housing, Credit, and Consumer Markets (2008)Photography and travel brochures: The circle of representation (2003)Researching Strategy Practices: A Genealogical Social Theory Perspective (2009)‘A camera is a big responsibility’: a lens for analysing children's visual voices (2010)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Youth and Cultural Practice (2002)Framing and Reviewing Hip-Hop Educational Research (2009)The Reorganization of the Sensory World (2010)Sounding Race in Rap Songs (2015)Music and the Global Order (2004)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)WHAT IS RACIAL DOMINATION? (2009)Gender/Racial Realness: Theorizing the Gender System in Ballroom Culture (2011)Devalued Black and Latino Racial Identities (2016)
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References

  • 1994Racial Formation in the United States: From the 1960s to the 1990s6,198 cited
  • 2006Stuart Hall: Critical Dialogues in Cultural Studies3,395 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America736 cited
  • 2003Representation, Legitimation, and Autoethnography: An Autoethnographic Writing Story704 cited
  • 2005Making beats: the art of sample-based hip-hop604 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2007The Politics of Cultural Work556 cited
  • 1979Gender Advertisements.525 cited
  • 2004Appropriating blackness: performance and the politics of authenticity509 cited
  • 2009Production Studies419 cited
  • 2003Appropriating Blackness414 cited
  • 2002Hybridity in Cultural Globalization386 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1994GLOBALISATION AS HYBRIDISATION378 cited
  • 2003Global Noise: Rap and Hip‐Hop outside the USA.

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285 cited

Cited by

  • 2024“Utopia isn’t for Everyone”: Career Inequalities and Adaptations among Female Independent Musicians2 cited