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Pair of Figures for Eshu: Doubling of Consciousness in the Work of Kerry James Marshall and Nathaniel Mackey
16 references·1 citing·28 second hop
Pair of Figures for Eshu: Doubling of Consciousness in the Work of Kerry James Marshall and Nathaniel Mackey (2000)Pair of Figures for Eshu: Doubling of Con…Black Skin, White Masks (2023)Black Skin, White MasksÉcrits: A Selection (2001)Écrits: A SelectionThe Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. (1996)Discrepant Engagement: Disson…African vodun: art, psychology, and power (1995)African vodun: art, psycholog…The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. (1989)The Predicament of Culture: T…Miles, the autobiography (1989)Miles, the autobiographyThe Predicament of Culture (1988)The Predicament of CultureThe Predicament of Culture (1988)The Predicament of CultureBeyond Ethnicity: Consent and Descent in American Culture (1986)Beyond Ethnicity: Consent and…Flash of the Spirit: African and Afro-American Art and Philosophy (1984)Flash of the Spirit: African …Aimé Césaire, the collected poetry (1983)Aimé Césaire, the collected p…Black music of two worlds (1973)Black music of two worldsBlues People; Negro Music in White America (1965)Blues People; Negro Music in …Blues People: Negro Music in White America (1963)Blues People: Negro Music in …Songs of Innocence and of Experience (1925)Songs of Innocence and of Exp…FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM (2014)FIRING THE CANON: MULTIPLE IN…The Problem with White Hipness: Race, Gender, and Cultural Conceptions in Jazz Historical Discourse (reprint) (1995)Culture and Competition: Homophily and Distancing Explanations for Cultural Niches (2003)Black Twitter? Racial Hashtags, Networks and Contagion (2013)Frame Alignment Processes, Micromobilization, and Movement Participation (1986)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)ON THE COLONIALITY OF BEING (2007)The Post-Colonial Studies Reader (1996)The Making and Unmaking of Ethnic Boundaries: A Multilevel Process Theory (2008)The Endurance of National Constitutions (2012)Sexual scripts: Permanence and change (1986)Poststructural feminism in education: An overview (2000)Toward a Global Idea of Race (2010)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)The Extended Case Method (1998)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Translation, Rewriting, and the Manipulation of Literary Fame (2016)Herskovits's Heritage: Rethinking Syncretism in the African Diaspora (1991)Material culture and social death: African-American burial practices (1995)Communalism (1997)Just a Girl? Rock Music, Feminism, and the Cultural Construction of Female Youth (1998)Literacy and literacies texts, power, and identity (2003)Loving Music Till It Hurts (2019)Resistance and the Problem of Ethnographic Refusal (1995)Identity and agency in cultural worlds (1999)The Discipline and Practice of Qualitative Research (2005)
this work references cited by second hop

References

  • 2023Black Skin, White Masks6,308 cited
  • 1988The Predicament of Culture5,526 cited
  • 2001Écrits: A Selection2,100 cited
  • 1989The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art.1,200 cited
  • 1988The Predicament of Culture951 cited
  • 1963Blues People: Negro Music in White America879 cited
  • 1986Beyond Ethnicity: Consent and Descent in American Culture697 cited
  • 1984Flash of the Spirit: African and Afro-American Art and Philosophy498 cited
  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1965Blues People; Negro Music in White America272 cited
  • 1996Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing.235 cited
  • 1983Aimé Césaire, the collected poetry127 cited
  • 1989Miles, the autobiography109 cited
  • 1925Songs of Innocence and of Experience88 cited
  • 1973Black music of two worlds69 cited
  • 1995African vodun: art, psychology, and power61 cited

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  • 2014FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM4 cited