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The cinema of me: the self and subjectivity in first person documentary
10 references·4 citing·29 second hop
The cinema of me: the self and subjectivity in first person documentary (2012)The cinema of me: the self and subjectivi…There’s No Place Like Home Video (2010)There’s No Place Like Home Vi…First Person Jewish (2010)First Person JewishMining the home movie: excavations in histories and memories (2008)Mining the home movie: excava…The subject of documentary (2005)The subject of documentaryThe autobiographical documentary in America (2002)The autobiographical document…Introduction to documentary (2002)Introduction to documentaryNew Documentary: A Critical Introduction (2000)New Documentary: A Critical I…Being Singular Plural (2000)Being Singular PluralOtherwise than Being or Beyond Essence (1991)Otherwise than Being or Beyon…How to Read a Film (1977)How to Read a FilmAvoiding the (tourist) gaze: pursuit of the ‘authentic’ in the Tbilisi edgelands (2021)Avoiding the (tourist) gaze: …Blurred boundaries: remediation of found footage in experimental autobiographical documentary filmmaking (2017)Blurred boundaries: remediati…Conflicted selves: the humanist cinema of Nuri Bilge Ceylan (2016)Conflicted selves: the humani…‘Saying things without appearing to have said them’: politics and protest in Jafar Panahi'sThis Is Not a Film(2011) (2015)‘Saying things without appear…Dust : the archive and cultural history (2001)Extended Family Films: Home Movies in the State-Sponsored Archive (2009)A History of Swedish Experimental Film Culture: From Early Animation to Video Art (2010)When the Moon Waxes Red: Representation, Gender and Cultural Politics (2014)Envisioning consumers: how videography can contribute to marketing knowledge (2017)An ecology of relationships: tensions and negotiations in documentary filmmaking practice as research (2018)The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television (2009)Interactive documentary: setting the field (2012)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)ETHICS AND POLITICS IN QUALITATIVE RESEARCH (2005)Justice Beyond Borders (2005)Anthropology in the Clinic: The Problem of Cultural Competency and How to Fix It (2006)Role of temporal overlap of visual and auditory material in forming dual media associations. (1984)Audiovisual Translation: Language Transfer on Screen (2009)Narrative theory and the dynamics of popular movies (2016)A Postcapitalist Politics (2006)Visible Identities: Race, Gender, and the Self (2006)Indigenous knowledge and science revisited (2007)Modes of interactivity: analysing the webdoc (2012)Exhibiting Cinema in Contemporary Art (2013)Documentary Screens: Non-Fiction Film and Television (2004)The Immigrant Experience in Jonas Mekas's Diary Films: A Chronotopic Analysis of Lost, Lost, Lost (2006)Profane Illuminations: History and Collaboration in James Luna and Isaac Artenstein's The History of the Luiseño People (2008)From shoebox to performative agent: the computer as personal memory machine (2005)`Creative' visual methods in media research: possibilities, problems and proposals (2009)On Friendship, Boobs and the Logic of the Catalogue (2010)Mortal Ethics: Reading Levinas with the Dardenne Brothers (2007)Documentary-for-the-Other: Relationships, Ethics and (Observational) Documentary (2011)Stories like Mine: Coming Out Videos and Queer Identities on YouTube (2014)
this work references cited by second hop

References

  • 1991Otherwise than Being or Beyond Essence2,473 cited
  • 2002Introduction to documentary1,606 cited
  • 2000Being Singular Plural1,530 cited
  • 2000New Documentary: A Critical Introduction476 cited
  • 1977How to Read a Film220 cited
  • 2005The subject of documentary208 cited
  • 2010There’s No Place Like Home Video199 cited
  • 2002The autobiographical documentary in America119 cited
  • 2008Mining the home movie: excavations in histories and memories72 cited
  • 2010First Person Jewish17 cited

Cited by

  • 2017Blurred boundaries: remediation of found footage in experimental autobiographical documentary filmmaking7 cited
  • 2015‘Saying things without appearing to have said them’: politics and protest in Jafar Panahi'sThis Is Not a Film(2011)5 cited
  • 2016Conflicted selves: the humanist cinema of Nuri Bilge Ceylan5 cited
  • 2021Avoiding the (tourist) gaze: pursuit of the ‘authentic’ in the Tbilisi edgelands4 cited

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