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The “1984” Macintosh ad was broadcast only once in 1984 to launch a personal computer that could easily be used by non‐expert consumers, but the ad has remained in the public eye via numerous television and advertising award ceremonies. Applying a theory of constitutive rhetoric with analysis of the ideological codes and cinematic narratives that construct the ad, this essay explores the integral role ads play in the cultural discourse of new technologies. Ultimately, the ad's rhetoric of freedom and revolution is used to constitute consumers, not rebels, leaving intact capitalism's ideological investment in the technological realization of social progress.
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