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Stanley Kwan's Center Stage : The (Im)possible Engagement between Feminism and Postmodernism
16 references·2 citing·34 second hop
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References

  • 2003A Poetics of Postmodernism2,147 cited
  • 1985Metafiction: The Theory and Practice of Self-Conscious Fiction1,310 cited
  • 1990The politics of postmodernism1,232 cited
  • 1987After the Great Divide: Modernism, Mass Culture, Postmodernism1,032 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 1980The Voice in the Cinema: The Articulation of Body and Space442 cited
  • 1985Film sound: Theory and practice381 cited
  • 2005New Vocabularies in Film Semiotics289 cited
  • 2017Transnational Chinese Cinemas137 cited
  • 1981The Cinematic Apparatus81 cited
  • 2014Contemporary Film Theory65 cited
  • 1987From Here to Modernity: Feminism and Postmodernism61 cited
  • 1991Image and ideology in modern/postmodern discourse53 cited
  • 2017Historical Introduction. Chinese Cinemas (1896–1996) and Transnational Film Studies20 cited
  • 1994It looks at you : the returned gaze of cinema18 cited
  • 1980The Cinematic Apparatus: Problems in Current Theory16 cited

Cited by

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  • 2015Sensing ‘performance anxiety’: Zhang Ziyi, Tang Wei, and female film stardom in the People’s Republic of China12 cited
  • 2008In the Mood for Love : Intersections of Hong Kong Modernity9 cited