SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Professional Ideology and Program Conventions: Documentary Development in Independent British Television Production
16 references·0 citing·26 second hop
Professional Ideology and Program Conventions: Documentary Development in Independent British Television Production (2009)Professional Ideology and Program Convent…The Cultural Industries (2019)The Cultural IndustriesThe Politics of Cultural Work (2007)The Politics of Cultural WorkRestyling Factual TV (2007)Restyling Factual TVThe Forms of Capital (2002)The Forms of CapitalIntroduction to documentary (2002)Introduction to documentaryGlobal communication: theories, stakeholders, and trends (2002)Global communication: theorie…New Documentary: A Critical Introduction (2000)New Documentary: A Critical I…Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…Producing Public Television, Producing Public Culture (1998)Producing Public Television, …Copycat television : globalisation, program formats and cultural identity (1998)Copycat television : globalis…The Art of Record: A Critical Introduction to Documentary (1996)The Art of Record: A Critical…New challenges for documentary (1989)New challenges for documentaryHandbook of Theory and Research for the Sociology of Education. (1987)Handbook of Theory and Resear…Mass Communication and Society. (1978)Mass Communication and Societ…The Sociology of the Professions (1972)The Sociology of the Professi…The Structure of Foreign News (1965)The Structure of Foreign NewsSocial Capital, Intellectual Capital, and the Organizational Advantage (1998)Social Capital: Prospects for a New Concept (2002)Community Resilience as a Metaphor, Theory, Set of Capacities, and Strategy for Disaster Readiness (2007)The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television (2009)Interactive documentary: setting the field (2012)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)The Production of Culture Perspective (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)Cultural Circuits of Climate Change in U.K. Broadsheet Newspapers, 1985–2003 (2005)Deconstructing Journalism Culture: Toward a Universal Theory (2007)On the Mediation of Everything: ICA Presidential Address 2008 (2009)Interlevel Influences on the Reconstruction of Professional Role Identity (2007)Rethinking epistemic communities twenty years later (2012)Professions and Institutional Change: Towards an Institutionalist Sociology of the Professions (2013)"Mediatization" of Politics: A Challenge for Democracy? (1999)The Evolution of International Security Studies (2009)The Handbook of Journalism Studies (2009)Modes of interactivity: analysing the webdoc (2012)Exhibiting Cinema in Contemporary Art (2013)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)Breaking the silence: The hidden injuries of neo-liberal academia (2016)Social Capital: Its Origins and Applications in Modern Sociology (1998)Classification as Culture: Types and Trajectories of Music Genres (2008)Looking for work in creative industries policy (2009)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)
this work references cited by second hop

References

  • 1987Handbook of Theory and Research for the Sociology of Education.15,142 cited
  • 2002The Forms of Capital13,914 cited
  • 1965The Structure of Foreign News3,425 cited
  • 2002Introduction to documentary1,606 cited
  • 1972The Sociology of the Professions1,217 cited
  • 2019The Cultural Industries1,153 cited
  • 1978Mass Communication and Society.1,142 cited
  • 2007The Politics of Cultural Work556 cited
  • 2000New Documentary: A Critical Introduction476 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1989New challenges for documentary329 cited
  • 1996The Art of Record: A Critical Introduction to Documentary214 cited
  • 2002Global communication: theories, stakeholders, and trends213 cited
  • 1998Producing Public Television, Producing Public Culture201 cited
  • 2007Restyling Factual TV195 cited
  • 1998Copycat television : globalisation, program formats and cultural identity113 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work