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Boundless Ontologies: Michael Snow, Wittgenstein, and the Textual Film
16 references·0 citing·32 second hop
Boundless Ontologies: Michael Snow, Wittgenstein, and the Textual Film (2015)Boundless Ontologies: Michael Snow, Wittg…On the camera arts and consecutive matters: the writings of Hollis Frampton (2009)On the camera arts and consec…The Virtual Life of Film (2007)The Virtual Life of FilmThe Indexical and the Concept of Medium Specificity (2007)The Indexical and the Concept…Avant-Garde Film (2007)Avant-Garde FilmPhilosophizing Through the Moving Image: The Case ofSerene Velocity (2006)Philosophizing Through the Mo…Philosophy of Film and Motion Pictures: An Anthology (2005)Philosophy of Film and Motion…Guy Debord and the situationist international : texts and documents (2004)Guy Debord and the situationi…The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film (2003)The Material of Film and the …Line Describing a Cone and Related Films (2003)Line Describing a Cone and Re…Waiting for Godot: A Tragicomedy in Two Acts (1994)Waiting for Godot: A Tragicom…Bully for brontosaurus: reflections in natural history (1991)Bully for brontosaurus: refle…Art after Modernism: Rethinking Representation (1991)Art after Modernism: Rethinki…Popism: The Warhol Sixties (1980)Popism: The Warhol SixtiesThe Avant-garde film : a reader of theory and criticism (1978)The Avant-garde film : a read…Understanding Media: The Extensions of Man (1964)Understanding Media: The Exte…THE ROLE OF THEORY IN AESTHETICS (1956)THE ROLE OF THEORY IN AESTHET…Collected Papers of Charles Sanders Peirce (1935)The Language of New Media (2002)The Work of Art in the Age of Mechanical Reproduction (2007)Exhibiting Cinema in Contemporary Art (2013)Selfies| The Gestural Image: The Selfie, Photography Theory, and Kinesthetic Sociability (2015)Errant Paths: The Poetics and Politics of Walking (2011)The production of educational space: Heterotopia and the business university (2011)Gamification: What it is, and how to fight it (2017)Elusive narrators in literature and film (2007)Empathy and Sympathy: Two Contemporary Models of Character Engagement (2019)Theorizing Adaptation (2020)The empirical case for two systems of reasoning. (1996)Individual differences in reasoning: Implications for the rationality debate? (2000)Heuristics and Biases: The Psychology of Intuitive Judgment (2004)SINGLE BOOK REVIEWS (2007)Waiting in the asylum determination process: Just an empty interlude? (2015)Ethnographies of Waiting (2018)Cinema 3.0: The Interactive-Image (2010)On Disability and Cybernetics: Helen Keller, Norbert Wiener, and the Hearing Glove (2011)Imagined Democracies: Necessary Political Fictions (2012)Marketing in Hypermedia Computer-Mediated Environments: Conceptual Foundations (1996)The Virtual Community (2000)Smart cities of the future (2012)Distinguished Lecture: Facing Power—Old Insights, New Questions (1990)From segmentation to fragmentation (1997)Critical Scientific Realism (2002)Psychonarratology foundations for the empirical study of literary response (2003)The Art of Videogames (2009)Aesthetics as Philosophy of Perception (2016)Through the Image: Nicholas Nixon's "People with AIDS" (2001)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson (2011)
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References

  • 1964Understanding Media: The Extensions of Man12,368 cited
  • 1956THE ROLE OF THEORY IN AESTHETICS752 cited
  • 2007The Virtual Life of Film723 cited
  • 1991Art after Modernism: Rethinking Representation505 cited
  • 1991Bully for brontosaurus: reflections in natural history287 cited
  • 2007The Indexical and the Concept of Medium Specificity276 cited
  • 1994Waiting for Godot: A Tragicomedy in Two Acts244 cited
  • 2004Guy Debord and the situationist international : texts and documents208 cited
  • 1978The Avant-garde film : a reader of theory and criticism134 cited
  • 2005Philosophy of Film and Motion Pictures: An Anthology88 cited
  • 2003The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film67 cited
  • 2009On the camera arts and consecutive matters: the writings of Hollis Frampton58 cited
  • 1980Popism: The Warhol Sixties52 cited
  • 2003Line Describing a Cone and Related Films26 cited
  • 2006Philosophizing Through the Moving Image: The Case ofSerene Velocity22 cited
  • 2007Avant-Garde Film

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