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To exhibit or be exhibited: the visual art of Vetkat Regopstaan Boesman Kruiper
16 references·5 citing·31 second hop
To exhibit or be exhibited: the visual art of Vetkat Regopstaan Boesman Kruiper (2014)To exhibit or be exhibited: the visual ar…Cultural Survival Quarterly (2013)Cultural Survival QuarterlyDark Vanishings: Discourse on the Extinction of Primitive Races, 1800–1930 (2004)Dark Vanishings: Discourse on…. The Politics of Bushman Representations (2002). The Politics of Bushman Rep…Tricksters and trancers: Bushman religion and society (2000)Tricksters and trancers: Bush…Tricksters and Trancers (1999)Tricksters and TrancersThe Shamans of prehistory: trance and magic in the painted caves (1999)The Shamans of prehistory: tr…Miscast: negotiating the presence of the Bushmen (1998)Miscast: negotiating the pres…The Myth of Ritual Origins? Ethnography, Mythology and Interpretation of San Rock Art (1997)The Myth of Ritual Origins? E…Cultural Diversity Among Twentieth-Century Foragers: An African Perspective. (1997)Cultural Diversity Among Twen…Contested Images: Diversity in Southern African Rock Art Research (1996)Contested Images: Diversity i…The Bushman Myth: The Making of a Namibian Underclass (1993)The Bushman Myth: The Making …Primitive Art in Civilized Places (1992)Primitive Art in Civilized Pl…The Rock Art of Southern Africa (1984)The Rock Art of Southern Afri…Eland Hunting Rituals among Northern and Southern San Groups: Striking Similarities (1978)Eland Hunting Rituals among N…Kalahari Hunter-Gatherers (1976)Kalahari Hunter-GatherersThe Lost World of the Kalahari (1958)The Lost World of the KalahariExposer de l’art bushman en Suisse (2022)Exposer de l’art bushman en S…Contemporary Bushman Art: The Work of the !Xun Artist Flai Shipipa (2020)Contemporary Bushman Art: The…Therianthropes and Transformation in San Art (2019)Therianthropes and Transforma…Hip-hop and Decolonized Practices of Language Digitization among the Contemporary !Xun and Khwe Indigenous Youth of South Africa (2019)Hip-hop and Decolonized Pract…Interrogating the Sacred Art of Vetkat Regopstaan Boesman Kruiper (2017)Interrogating the Sacred Art …A Few of His Favorite Things (2004)Racialized modernity: An analytics of white mythologies (2007)WHITE TIME (2014)The chronopolitics of racial time (2020)Style and Social Information in Kalahari San Projectile Points (1983)Archaeology and the Study of Gender (1984)Conceptual Foundations of Evolutionary Psychology (2015)The Origins of Image Making (1986)Australia's Ancient Warriors: Changing Depictions of Fighting in the Rock Art of Arnhem Land, N.T. (1994)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)What makes a craft souvenir authentic? (1993)Representing Nationality in China: Refiguring Majority/Minority Identities (1994)Body paint, feathers, and vcrs: aesthetics and authenticity in Amazonian activism (1997)Hadza meat sharing (2001)Behavioral Ecology and Archaeology (2006)Health of Indigenous people in Africa (2006)The Human Symbolic Revolution: A Darwinian Account (1995)Blombos Cave, Southern Cape, South Africa: Preliminary Report on the 1992–1999 Excavations of the Middle Stone Age Levels (2001)Invisible herders? The archaeology of Khoekhoe pastoralists (2008)Toward a Tribal Critical Race Theory in Education (2005)Public Participation Geographic Information Systems: A Literature Review and Framework (2006)Culturally Responsive Schooling for Indigenous Youth: A Review of the Literature (2008)Seeing is deceiving: Rock art and the non-visual (2001)Frazer strikes back from the armchair: a new search for the animist soul* (2011)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)The Race of Hysteria: "Overcivilization" and the "Savage" Woman in Late Nineteenth-Century Obstetrics and Gynecology (2000)Displaying Sara Baartman, the ‘Hottentot Venus’ (2004)World Heritage and Cultural Economics (2006)Taking Stock (2004)A Social History of Dying (2007)Male Androphilia in the Ancestral Environment (2013)
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References

  • 2013Cultural Survival Quarterly911 cited
  • 1976Kalahari Hunter-Gatherers755 cited
  • 1998Miscast: negotiating the presence of the Bushmen335 cited
  • 2000Tricksters and trancers: Bushman religion and society297 cited
  • 2004Dark Vanishings: Discourse on the Extinction of Primitive Races, 1800–1930276 cited
  • 1999The Shamans of prehistory: trance and magic in the painted caves240 cited
  • 1992Primitive Art in Civilized Places238 cited
  • 1996Contested Images: Diversity in Southern African Rock Art Research151 cited
  • 1997Cultural Diversity Among Twentieth-Century Foragers: An African Perspective.112 cited
  • 1984The Rock Art of Southern Africa102 cited
  • 1997The Myth of Ritual Origins? Ethnography, Mythology and Interpretation of San Rock Art98 cited
  • 1958The Lost World of the Kalahari97 cited
  • 1978Eland Hunting Rituals among Northern and Southern San Groups: Striking Similarities94 cited
  • 1999Tricksters and Trancers86 cited
  • 1993The Bushman Myth: The Making of a Namibian Underclass79 cited
  • 2002. The Politics of Bushman Representations

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72 cited

Cited by

  • 2019Hip-hop and Decolonized Practices of Language Digitization among the Contemporary !Xun and Khwe Indigenous Youth of South Africa12 cited
  • 2017Interrogating the Sacred Art of Vetkat Regopstaan Boesman Kruiper1 cited
  • 2022Exposer de l’art bushman en Suisse1 cited
  • 2019Therianthropes and Transformation in San Art0 cited
  • 2020Contemporary Bushman Art: The Work of the !Xun Artist Flai Shipipa0 cited