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Harry Hershfield's "Desperate Desmond" exemplifies the intertextuality of sensational melodrama in the 1910s, especially between motion pictures and comic strips. Documenting Hershfield's sources and analyzing the narrative strategies of his strip and its motion picture adaptations, this essay theorizes "cliffhanger continuity" as a special, commercially expedient feature of serial publication.
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Stored only when both papers are in the corpus — 21 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.