SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
"Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips
12 references·1 citing·30 second hop
"Wait for the Next Pictures": Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips (2009)"Wait for the Next Pictures": Intertextua…American cinema's transitional era: audiences, institutions, practices (2005)American cinema's transitiona…Melodrama and modernity: early sensational cinema and its contexts (2001)Melodrama and modernity: earl…Movie-struck girls: women and motion picture culture after the nickelodeon (2000)Movie-struck girls: women and…The World encyclopedia of comics (1999)The World encyclopedia of com…Comic Strips and Consumer Culture (1998)Comic Strips and Consumer Cul…Comics, comix and graphic novels : a history of comic art (1996)Comics, comix and graphic nov…To Be Continued...: Soap Operas Around the World (1995)To Be Continued...: Soap Oper…The transformation of cinema, 1907-1915 (1991)The transformation of cinema,…The Great American Comic Strip: One Hundred Years of Cartoon Art (1990)The Great American Comic Stri…Emile Cohl, caricature, and film (1990)Emile Cohl, caricature, and f…Before Mickey: The Animated Film 1898-1928 (1984)Before Mickey: The Animated F…The Smithsonian collection of newspaper comics (1977)The Smithsonian collection of…The Philosophy of Comics (2023)The Philosophy of ComicsCo-Evolution of Entrepreneurial Careers, Institutional Rules and Competitive Dynamics in American Film, 1895-1920 (2001)Capabilities in Motion: New Organizational Forms and the Reshaping of the Hollywood Movie Industry* (2003)Uniform prices for differentiated goods: The case of the movie-theater industry (2007)"Never overlook the art of the seemingly simple": Crockett Johnson and the Politics of the Purple Crayon (2001)The winding, pot-holed road of comic art scholarship (2010)The learning-by-doing principle. (2011)Technologies of Early Stardom and the Extraordinary Body (2001)Star Testing: The Emerging Politics of Celebrity Gossip (2010)Sparkle: luminosity and post-girl power media (2015)A Content Analysis of Animation and Animated Spokes-Characters in Television Commercials (1994)STORIES OF THE STORYTELLING ORGANIZATION: A POSTMODERN ANALYSIS OF DISNEY AS "TAMARA-LAND". (1995)Stories of the Storytelling Organization: A Postmodern Analysis of Disney As“Tamara-Land” (1995)"I'm Not a Feminist...I Only Defend Women as Human Beings": The Production, Representation, and Consumption of Feminism in a Telenovela (2003)Are the poor willing to pay a premium for designer labels? a field experiment in Bolivia (2004)Flow, Home, and Media Pleasures (2005)Introducing Comics and Ideology (2001)What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11 (2004)Superman: The Persistence of an American Icon (2017)T. S. Eliot and Cinema (2006)New Cinema Histories (2011)Squashing the Bookworm: Manly Attention and Male Reading in Silent Film (2015)Bringing Graphic Novels into a School's Curriculum (2004)Multiliteracies: how readers interpret political cartoons (2009)Embattled Vienna 1683/2010: right-wing populism, collective memory and the fictionalisation of politics (2014)Death Every Afternoon (2003)Time and the Moment in Victorian Literature and Society (2011)Ecocinema Theory and Practice 2 (2022)The Cambridge History of Jewish American Literature (2015)From Comics to the Graphic Novel (2017)Typical Girls: The Rhetoric of Womanhood in Comic Strips (2021)
this work references cited by second hop

References

  • 1991The transformation of cinema, 1907-1915543 cited
  • 2001Melodrama and modernity: early sensational cinema and its contexts454 cited
  • 1995To Be Continued...: Soap Operas Around the World448 cited
  • 1996Comics, comix and graphic novels : a history of comic art239 cited
  • 1984Before Mickey: The Animated Film 1898-1928208 cited
  • 2005American cinema's transitional era: audiences, institutions, practices134 cited
  • 2000Movie-struck girls: women and motion picture culture after the nickelodeon124 cited
  • 1998Comic Strips and Consumer Culture91 cited
  • 1999The World encyclopedia of comics80 cited
  • 1990The Great American Comic Strip: One Hundred Years of Cartoon Art50 cited
  • 1990Emile Cohl, caricature, and film40 cited
  • 1977The Smithsonian collection of newspaper comics23 cited

Cited by

  • 2023The Philosophy of Comics6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work