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The Living Work: Organicism and Musical Analysis
3 references·16 citing·43 second hop
The Living Work: Organicism and Musical Analysis (1980)The Living Work: Organicism and Musical A…The Mirror and the Lamp: Romantic Theory and the Critical Tradition. (1955)The Mirror and the Lamp: Roma…The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)The Mirror and the Lamp: Roma…The Thematic Process in Music (1951)The Thematic Process in MusicBroken Beauty (2018)Broken BeautyToward a Post-Humanist Organicism (2017)Toward a Post-Humanist Organi…Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich (2017)Composing the Modern Subject:…Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Metaphors of depth in German …Metaphor and music (2008)Metaphor and musicIntroduction: Harmony or Dissonance? Copyright Concepts and Musical Practice (2006)Introduction: Harmony or Diss…Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century (2001)Between Enlightenment and Rom…Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna (1993)Brahms as Liberal: Genre, Sty…The Autonomy of Motives in Schenkerian Accounts of Tonal Music (1992)The Autonomy of Motives in Sc…Mozart's operas and the myth of musical unity (1990)Mozart's operas and the myth …Schenker's Theory of Music as Ethics (1989)Schenker's Theory of Music as…Music Theory and 'Good Comparison': A Viennese Perspective (1989)Music Theory and 'Good Compar…The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Rhetoric of Genre: Chopin…Covert and Casual Values in Recent Writings about Music (1987)Covert and Casual Values in R…The Web of Culture: A Context for Musicology (1984)The Web of Culture: A Context…Heinrich Schenker, Anti-Organicist (1984)Heinrich Schenker, Anti-Organ…Remaking the Past (1990)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Liquidation, Augmentation, and Brahms's Recapitulatory Overlaps (1994)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)The New Grove Dictionary of Music and Musicians (1981)The Two Versions of Bruckner's Eighth Symphony (1992)The classical style: Haydn, Mozart, Beethoven (1997)The New Grove dictionary of music and musicians (2001)Introduction to the Sociology of Music. (1977)Nineteenth-century music (1989)How "deutsch" a Requiem? Absolute Music, Universality, and the Reception of Brahms's "Ein deutsches Requiem," op. 45 (1998)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)The Viennese symphony 1750 to 1827 (2013)TWELVE-TONE INVARIANTS AS COMPOSITIONAL DETERMINANTS (1960)Music Theory, Phenomenology, and Modes of Perception (1986)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Understanding Humor and Understanding Music (1993)Metric and Hypermetric Dissonance in the Menuetto of Mozart's Symphony in G Minor, K. 550 (2016)Tonality (2023)Philosophical Investigations. (1967)The Rhetoric of Fiction (1983)Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception (1999)Questions of Genre in Black Popular Music (2017)Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (2019)The Body in the Mind (1987)The Cultural Origins of Human Cognition (2000)Metaphors We Live By (2003)Bridging the gap between image and metaphor through cross-modal iconicity (2017)Embedded blends and meaning construction in Modest Musorgsky’s Pictures at an Exhibition (2018)“Hearing music as . . .”: Metaphors evoked by the sound of classical music. (2019)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style (2017)Rethinking Mendelssohn (2020)The creative mind: Myths and mechanisms (1995)Why Fiction May be Twice as True as Fact: Fiction as Cognitive and Emotional Simulation (1999)Giving an Account of Oneself (2025)Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Epistemologies of music theory (2002)Music as Discourse (2008)Meetings of minds: Dialogue, sympathy, and identification, in reading fiction (1999)Religion and literature (2005)The Psychology of Inspiration (2014)
this work references cited by second hop

References

  • 1955The Mirror and the Lamp: Romantic Theory and the Critical Tradition.809 cited
  • 1954The Mirror and the Lamp: Romantic Theory and the Critical Tradition666 cited
  • 1951The Thematic Process in Music293 cited

Cited by

  • 2008Metaphor and music107 cited
  • 1992The Autonomy of Motives in Schenkerian Accounts of Tonal Music82 cited
  • 1988The Rhetoric of Genre: Chopin's Nocturne in G Minor77 cited
  • 1987Covert and Casual Values in Recent Writings about Music75 cited
  • 1993Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna74 cited
  • 2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg73 cited
  • 1989Music Theory and 'Good Comparison': A Viennese Perspective58 cited
  • 1984The Web of Culture: A Context for Musicology56 cited
  • 2001Between Enlightenment and Romanticism in Music History:"First Viennese Modernism" and the Delayed Nineteenth Century47 cited
  • 1990Mozart's operas and the myth of musical unity43 cited
  • 1989Schenker's Theory of Music as Ethics39 cited
  • 2017Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich

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38 cited
  • 2018Broken Beauty38 cited
  • 2006Introduction: Harmony or Dissonance? Copyright Concepts and Musical Practice36 cited
  • 1984Heinrich Schenker, Anti-Organicist33 cited
  • 2017Toward a Post-Humanist Organicism31 cited