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Interpreting Gesture as Motive: A Transformational Perspective on Replication in R. Murray Schafer’s Seventh String Quartet1
13 references·0 citing·32 second hop
Interpreting Gesture as Motive: A Transformational Perspective on Replication in R. Murray Schafer’s Seventh String Quartet1 (2009)Interpreting Gesture as Motive: A Transfo…Generalized Musical Intervals and Transformations (2007)Generalized Musical Intervals…Cross-Type Transformations and the Path Consistency Condition (2007)Cross-Type Transformations an…Scale Networks and Debussy (2004)Scale Networks and DebussyIsographies and Some Klumpenhouwer Networks They Involve (2002)Isographies and Some Klumpenh…On Contextual Transformations (2000)On Contextual TransformationsAnalysing Post‐Tonal Diatonic Music: A Modulo 7 Perspective (2000)Analysing Post‐Tonal Diatonic…Defining Modular Transformations (1999)Defining Modular Transformati…Voice-Leading Spaces (1998)Voice-Leading SpacesParsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Musical Form and Transformation: Four Analytic Essays (1994)Musical Form and Transformati…Klumpenhouwer Networks and Some Isographies That Involve Them (1990)Klumpenhouwer Networks and So…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Transformational Techniques in Atonal and Other Music Theories (1982)Transformational Techniques i…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Stravinsky and the Russian Traditions (1996)The Geometry of Musical Chords (2006)S cale T heory , S erial T heory and V oice L eading (2008)Schubert’s Harmonic Language and Fourier Phase Space (2015)Special Collections (2016)Perspectives of New Music (1963)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Tonality and transformation (2012)Transformational Analysis and the Representation of Genius in Film Music (2013)Composition With Pitch-Classes (1987)Music theory and mathematics (2002)Voice Leading in Set-Class Space (2005)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)A geometry of music: harmony and counterpoint in the extended common practice (2012)Reconsidering Klumpenhouwer Networks (2007)Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)Diagrams, gestures and formulae in music (2007)Tonality (2023)Extraordinary Measures (2011)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Broken Beauty (2018)A Transformational Space for Elliott Carter’s Recent Complement-Union Music (2009)Contextual-Inversion Spaces (2011)Chromatic Transformations in Nineteenth-Century Music (2002)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)Continuous Transformations (2004)
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References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2007Generalized Musical Intervals and Transformations159 cited
  • 1982Transformational Techniques in Atonal and Other Music Theories105 cited
  • 1990Klumpenhouwer Networks and Some Isographies That Involve Them91 cited
  • 2004Scale Networks and Debussy79 cited
  • 2007Cross-Type Transformations and the Path Consistency Condition66 cited
  • 1998Voice-Leading Spaces63 cited
  • 2002Isographies and Some Klumpenhouwer Networks They Involve52 cited
  • 1994Musical Form and Transformation: Four Analytic Essays34 cited
  • 2000On Contextual Transformations21 cited
  • 1999Defining Modular Transformations20 cited
  • 2000Analysing Post‐Tonal Diatonic Music: A Modulo 7 Perspective6 cited

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