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Moving Away from the Index: Cinema and the Impression of Reality
3 references·16 citing·44 second hop
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this work references cited by second hop

References

  • 2002The Language of New Media5,017 cited
  • 1955Philosophical Writings of Peirce2,793 cited
  • 2001Change Mummified: Cinema, Historicity, Theory517 cited

Cited by

  • 2013Exhibiting Cinema in Contemporary Art140 cited
  • 2009Digital Material : Tracing New Media in Everyday Life and Technology137 cited
  • 2015Soul of the Documentary63 cited
  • 2014Analogue Nostalgia and the Aesthetics of Digital Remediation60 cited
  • 2016Real Images Flow: Mullā Sadrā Meets Film-Philosophy41 cited
  • 2014Animating the Instant37 cited
  • 2015Animating the Cinéfils : Alain Resnais and the Cinema of Discovery36 cited
  • 2014“First Principles” of Animation35 cited
  • 2019Frame by Frame34 cited
  • 2015Soul of the Documentary: Framing, Expression, Ethics32 cited
  • 2012The Exorbitant Lightness of Bodies, or How to Look at Superheroes: Ilinx, Identification, and Spider-Man30 cited
  • 2014Late Exercises in Minimal Affirmatives30 cited
  • 20141 : : Animation and History24 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2018Contingent Motion: Rethinking the “Wind in the Trees” in Early Cinema and CGI18 cited
  • 2020Film Editing, Digital Montage, and the “Ontology” of Cinema16 cited
  • 2014Cartoon Film Theory16 cited