Mediated Perceptions: Contributions of Phenomenological Film Theory to Understanding the Interactive Video Experience

Abstract

We draw upon phenomenological film theory and phenomenological studies of technological mediation to explore the perceptual, expressive, intentional and interpretive dimensions of the interactive video experience. Surrealist and phenomenological film theory can provide insights into the perceptual and communicative dimensions of the film/video experience, complementing current semiotic explorations of hypertext. The phenomenological notion of ìintentionality is used to explain the convergence of both filmmaker's and spectator's perceptions onto the world as referenced by the filmmaker, enabling and mediating intersubjective understanding. Both the filmmaker's and the spectator's perceptions are brought into engagement through the technological mediation of camera and computer and through the linguistic and cultural mediation of narration.

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