SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Mediated Perceptions: Contributions of Phenomenological Film Theory to Understanding the Interactive Video Experience
7 references·1 citing·27 second hop
Mediated Perceptions: Contributions of Phenomenological Film Theory to Understanding the Interactive Video Experience (2006)Mediated Perceptions: Contributions of Ph…Bridging the Gulfs: From Hypertext to Cyberspace[1] (2006)Bridging the Gulfs: From Hype…Materialities of Communication (1995)Materialities of CommunicationThe Address of the Eye (1992)The Address of the EyeFilm and phenomenology: toward a realist theory of cinematic representation (1992)Film and phenomenology: towar…Dada and Surrealist Film (1988)Dada and Surrealist FilmTime and narrative (1986)Time and narrativeTHEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…New narrative pleasures?: A cognitive-phenomenological study of the experience of reading digital narrative fictions (2006)New narrative pleasures?: A c…Understanding Media: The Extensions of Man (1964)A Sociology of monsters: Essays on power, technology, and domination (1991)Oneself as Another (1992)Das Netz und die Virtuelle Realität (2004)Online-mediale Texte: Kommunikationsformen, Affordanzen, Interfaces (2013)Organized Advocacy for Professional Women in Computing: Comparing Histories of the AWC and ACM–W (2016)Phenomenology of Perception (1982)Flow: the psychology of optimal experience (1990)Reading images: the grammar of visual design (1996)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Twelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)Stories of Experience and Narrative Inquiry (1990)Narrative configuration in qualitative analysis (1995)The Logic of Violence in Civil War (2006)Popular Songs and Comic Allusion in Contemporary Cinema (2001)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)The Cambridge History of Modernism (2017)Refiguring the economic in economic geography (1996)The rise of soft capitalism (1997)Materializing Communication: Making the Case for a Relational Ontology (2018)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)God Is Not a Story (2007)Handbook of Phenomenological Aesthetics (2009)Phenomenology, Pokémon Go, and Other Augmented Reality Games (2017)
this work references cited by second hop

References

  • 1986Time and narrative2,712 cited
  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1992The Address of the Eye1,199 cited
  • 1995Materialities of Communication238 cited
  • 1988Dada and Surrealist Film191 cited
  • 1992Film and phenomenology: toward a realist theory of cinematic representation83 cited
  • 2006Bridging the Gulfs: From Hypertext to Cyberspace[1]73 cited

Cited by

  • 2006New narrative pleasures?: A cognitive-phenomenological study of the experience of reading digital narrative fictions18 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work