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Identification of resinous materials on 16th and 17th century reverse-glass objects by gas chromatography/mass spectrometry

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References

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2000Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings172 cited
2002Ageing behaviour and pyrolytic characterisation of diterpenic resins used as art materials: colophony and Venice turpentine126 cited
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1999Molecular studies of fresh and aged triterpenoid varnishes75 cited
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2006Identification of 7,4′‐Dihydroxy‐5‐methoxyflavylium in “Dragon's Blood”: To Be or Not To Be an Anthocyanin55 cited

Cited by

2014Micro-analytical identification of the components of varnishes from South Italian historical musical instruments by PLM, ESEM–EDX, microFTIR, GC–MS, and Py–GC–MS28 cited
2018Capabilities and limitations of handheld Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) for the analysis of colourants and binders in 20th-century reverse paintings on glass23 cited
2010Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons

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2013The use of laser pyrolysis–GC–MS for the analysis of paint cross sections14 cited

2019A combination of portable non-invasive techniques to study on reverse glass paintings at Mistretta museum13 cited

2019Kandinsky’s fragile art: a multidisciplinary investigation of four early reverse glass paintings (1911–1914) by Wassily Kandinsky13 cited

2015A portable device for on site detection of chicken ovalbumin in artworks by chemiluminescent immunochemical contact imaging13 cited

2008A German House Altar from the Sixteenth Century13 cited