Musical Miscegenation and the Logic of Rock and Roll: Homosocial Desire and Racial Productivity in “A Paler Shade of White”

Abstract

I've spent the past decade wondering why rock and roll, the most miscegenated popular music ever to have existed, underwent a racial re-sorting in the nineteen-nineties. Why did so many white rock bands retreat from the ecstatic singing and intense, voicelike guitar tones of the blues, the heavy African downbeat, and the elaborate showmanship that characterized black music of the mid-twentieth century? Sasha Frere-Jones, A Paler Shade of White

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