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Musical Miscegenation and the Logic of Rock and Roll: Homosocial Desire and Racial Productivity in “A Paler Shade of White”
16 references·0 citing·30 second hop
Musical Miscegenation and the Logic of Rock and Roll: Homosocial Desire and Racial Productivity in “A Paler Shade of White” (2008)Musical Miscegenation and the Logic of Ro…Miscegenation: The Theory of the Blending of the Races, Applied to the American White Man and Negro (2018)Miscegenation: The Theory of …White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock (2017)White Boys, White Noise: Masc…Microphone Fiends (2014)Microphone FiendsSexing the Groove (2013)Sexing the GrooveQueering the Popular Pitch (2013)Queering the Popular PitchPerforming Glam Rock (2006)Performing Glam RockIn the Break: The Aesthetics of the Black Radical Tradition (2004)In the Break: The Aesthetics …Rockin' out of the box: gender maneuvering in alternative hard rock (2003)Rockin' out of the box: gende…Instruments of desire: the electric guitar and the shaping of musical experience (2000)Instruments of desire: the el…Whiteness : a critical reader (1997)Whiteness : a critical readerLove and Theft: Blackface Minstrelsy and the American Working Class. (1996)Love and Theft: Blackface Min…Present Tense (1992)Present TenseSounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same (1991)Sounds Authentic: Black Music…Juju: A Social History and Ethnography of an African Popular Music (1991)Juju: A Social History and Et…Between Men: English Literature and Male Homosocial Desire. (1985)Between Men: English Literatu…The Law of Genre (1980)The Law of GenreSambo: The Rise and Demise of an American Jester (1988)Embodying Difference: Issues in Dance and Cultural Studies (1993)Diasporas (1994)Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 (1996)"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2011)Claiming Space: Discourses on Gender, Popular Music, and Social Change (2011)Memory, Monsters, and Lady Gaga (2011)Mathematics Black Life (2014)Unbecoming Claims (2014)The Labor of (Re)reading Plantation Landscapes Fungible(ly) (2016)Narration as a human communication paradigm: The case of public moral argument (1984)The Empire Strikes Back: A Posttranssexual Manifesto (1992)A Narrative Policy Framework: Clear Enough to Be Wrong? (2010)Queer Globalizations Citizenship and the Afterlife of Colonialism (2002)The Globalization of Sexuality (2004)The times we’re in: Queer feminist criticism and the reparative ‘turn’ (2014)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Intonations: a social history of music and nation in Luanda, Angola, from 1945 to recent times (2009)African American English: A Linguistic Introduction (2004)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Signs of Difference (2019)"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)The Production of Culture Perspective (2004)Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective (2006)Queer Listening to Queer Vocal Timbres (2010)Playing it Queer: Popular Music, Identity and Queer World-making (2012)The Mirage of an Unmarked Whiteness (2001)Whiteness Studies and the Paradox of Particularity (2002)The discourse of denial: how white teacher candidates construct race, racism and ‘white privilege’ (2005)
this work references cited by second hop

References

  • 1985Between Men: English Literature and Male Homosocial Desire.3,019 cited
  • 2004In the Break: The Aesthetics of the Black Radical Tradition2,968 cited
  • 1980The Law of Genre943 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1997Whiteness : a critical reader580 cited
  • 2000Instruments of desire: the electric guitar and the shaping of musical experience292 cited
  • 1991Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same258 cited
  • 1991Juju: A Social History and Ethnography of an African Popular Music197 cited
  • 2006Performing Glam Rock168 cited
  • 2013Queering the Popular Pitch153 cited
  • 2013Sexing the Groove141 cited
  • 2003Rockin' out of the box: gender maneuvering in alternative hard rock105 cited
  • 2014Microphone Fiends98 cited
  • 2018Miscegenation: The Theory of the Blending of the Races, Applied to the American White Man and Negro81 cited
  • 2017White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock74 cited
  • 1992Present Tense30 cited

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