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A Sixteenth-Century Attempt at Music Criticism
1 references·16 citing·37 second hop
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this work references cited by second hop

References

  • 1983Castiglione: The Ideal and the Real in Renaissance Culture207 cited

Cited by

  • 2019The Cambridge History of Music Criticism85 cited
  • 1999"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century72 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 1996Reading and Reminiscence: Tinctoris on the Beauty of Music54 cited
  • 2019Writing about Popular Music53 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1994Does Imitatio Exist?28 cited
  • 1992A Conjunction of Rhetoric and Music: Structural Modelling in the Italian Counter-Reformation Motet24 cited
  • 2012The performer and the composer10 cited
  • 1987Musical Evidence of Compositional Planning in the Renaissance: Josquin's "Plus nulz regretz"9 cited
  • 1989Studies in Analysis and History of Theory: The Sixteenth and Seventeenth Centuries7 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited

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2012
Performance in the ‘long eighteenth century’: an overview
5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited