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Developing Musical Listening in Performance Ensemble Classes
13 references·5 citing·30 second hop
Developing Musical Listening in Performance Ensemble Classes (2006)Developing Musical Listening in Performan…A Philosophy of Music Education: Advancing the Vision (2003)A Philosophy of Music Educati…On the Nature of Musical Experience (1994)On the Nature of Musical Expe…Is Musical Performance Worth Saving? (1994)Is Musical Performance Worth …Music, imagination, and culture (1991)Music, imagination, and cultu…Art and engagement (1991)Art and engagementMusic, Imagination, and Culture (1990)Music, Imagination, and Cultu…The Phenomenology of Aesthetic Experience (1976)The Phenomenology of Aestheti…A Realistic Philosophy of Music Education (1958)A Realistic Philosophy of Mus…What to Listen for in Music (1957)What to Listen for in MusicThe Beautiful in Music (1957)The Beautiful in MusicA Composer's World-Horizons and Limitations (1953)A Composer's World-Horizons a…Music and imagination (1952)Music and imaginationPoetics of Music (1948)Poetics of MusicTowards evidence-based music teaching and learning: A meta-analysis (2025)Towards evidence-based music …‘Chasing every mark’. High stakes assessment and curriculum narrowing: the case of disciplinary literacy in the Irish secondary music classroom (2021)‘Chasing every mark’. High st…Middle school drum ensemble: an unlikely experience in classroom democracy (2013)Middle school drum ensemble: …Listening to Learn: The Status of Listening Activities in Secondary Instrumental Ensemble Classes. (2013)Listening to Learn: The Statu…Didactic Challenges in the Learning of Music-Listening Skills (2011)Didactic Challenges in the Le…Handbook of Emotions (1993)Hip hop: from live performance to mediated narrative (1996)Resonate: Present Visual Stories that Transform Audiences (2010)Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity (1995)Dalcroze, the body, movement and musicality (2005)Modernism and Popular Music (2011)What Music Teaches about Emotion (1996)History of Modern Aesthetics (2005)Nineteenth-Century Fortunes of Musical Formalism (2011)Toward an aesthetics of natural performance (1993)A Way of Seeing People and Place (2000)THE AESTHETIC TURN IN GREEN MARKETING:ENVIRONMENTAL CONSUMER ETHICS OF NATURAL PERSONAL CARE PRODUCTS (2004)The role of absorption in experiential involvement. (1995)Outdoor adventure tourism (2001)Fame Attack (2012)The Routledge Companion to Aesthetics (2005)The Anthropology of Texts, Persons and Publics (2007)Towards a critical understanding of music, emotion and self‐identity (2008)Composing, performing and audience-listening as symmetrical indicators of musical understanding (1998)Music, Socializing, Performance, and the Web of Social Ties (2006)‘Phrasing – the Very Life of Music’: Performing the Music and Nineteenth-Century Performance Theory (2012)Cognition and the Body: Perspectives from Music Education (2004)Using musical agency as a lens: Researching music education from the angle of experience (2011)The role of arts participation in students’ academic and nonacademic outcomes: A longitudinal study of school, home, and community factors. (2013)Tempus ex Machina: A composer's reflections on musical time (1987)"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style (1999)Evolution of Human Music through Sexual Selection (1999)Theorizing Musical Meaning (2001)Playing with History (2002)After Adorno (2003)
this work references cited by second hop

References

  • 2003A Philosophy of Music Education: Advancing the Vision409 cited
  • 1976The Phenomenology of Aesthetic Experience366 cited
  • 1990Music, Imagination, and Culture241 cited
  • 1991Music, imagination, and culture214 cited
  • 1957What to Listen for in Music120 cited
  • 1991Art and engagement117 cited
  • 1957The Beautiful in Music105 cited
  • 1952Music and imagination82 cited
  • 1948Poetics of Music62 cited
  • 1953A Composer's World-Horizons and Limitations30 cited
  • 1994On the Nature of Musical Experience24 cited
  • 1958A Realistic Philosophy of Music Education23 cited
  • 1994Is Musical Performance Worth Saving?15 cited

Cited by

  • 2011Didactic Challenges in the Learning of Music-Listening Skills6 cited
  • 2021‘Chasing every mark’. High stakes assessment and curriculum narrowing: the case of disciplinary literacy in the Irish secondary music classroom4 cited
  • 2013Middle school drum ensemble: an unlikely experience in classroom democracy4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2025Towards evidence-based music teaching and learning: A meta-analysis3 cited
  • 2013Listening to Learn: The Status of Listening Activities in Secondary Instrumental Ensemble Classes.3 cited