Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies

Abstract

Choreographers regularly make revisions to their work. Revisions that are made are sometimes significant and can radically alter the dance whilst other changes may be almost invisible to the viewer. In the case of Siobhan Davies, revising dances has become a regular feature of her work. This paper represents a case study, which is designed to shed some further light on this process.

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