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Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies
6 references·1 citing·18 second hop
Dance Identity, Authenticity and Issues of Interpretation with Specific Reference to the Choreography of Siobhan Davies (2005)Dance Identity, Authenticity and Issues o…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…The body, dance and cultural theory (2004)The body, dance and cultural …The Body, Dance and Cultural Theory (2003)The Body, Dance and Cultural …Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman (1994)Ecstasy and the Demon: Femini…The Identity Crisis in Dance (1978)The Identity Crisis in DanceString Quartet No. 4 (1954)String Quartet No. 4Preservation and Paradox: Choreographic Authorship in the Digital Sphere (2018)Preservation and Paradox: Cho…Unmarked: The Politics of Performance (1994)Unmarked (2003)Liveness: performance in a mediatized culture (2008)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Aspects of the Dancer's Role in the Art of Dance (2000)Problems with Ballet: Steps, style and training (2003)Transforming Museums on Postapartheid Tourist Routes (2006)‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers (2006)Keeping up Appearances: Aesthetic Labour in the Fashion Modelling Industries of London and New York (2006)Perceiving subjectivity in bodily movement: The case of dancers (2009)Six American Composers on Nonstandard Tunnings (1991)Calligraphy and musical gestures in the late works of Chou Wen-chung (2007)Composers’ Appropriation of Pied Butcherbird Song: Henry Tate’s “undersong of Australia” Comes of Age (2011)Choreographies of Gender (1998)Dance and the Political: States of Exception (2006)Expanded Choreographies - Choreographic Histories (2022)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2003The Body, Dance and Cultural Theory223 cited
  • 2004The body, dance and cultural theory124 cited
  • 1994Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman90 cited
  • 1978The Identity Crisis in Dance52 cited
  • 1954String Quartet No. 424 cited

Cited by

  • 2018Preservation and Paradox: Choreographic Authorship in the Digital Sphere7 cited

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