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Building International Empires of Sound: Concentrations of Power and Property in the “Global” Music Market
16 references·8 citing·31 second hop
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References

  • 2004Free culture: how big media uses technology and the law to lock down culture and control creativity1,427 cited
  • 1958Naven737 cited
  • 2001Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity657 cited
  • 2001Intellectual Property Rights in the Global Economy590 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1995Media, Communication, Culture: A Global Approach408 cited
  • 2001Intellectual property rights, the WTO and developing countries: the TRIPS agreement and policy options376 cited
  • 2002Media,Technology and Society349 cited
  • 1999Media technology and society: a history: from the telegraph to the Internet340 cited
  • 1988Popular Music and Communication.291 cited
  • 2020Copyright in Historical Perspective251 cited
  • 1997The Global Jukebox: The International Music Industry245 cited
  • 1996America on record: a history of recorded sound209 cited
  • 1998Edison: A Life of Invention103 cited
  • 1991American Popular Music Business in the 20th Century102 cited
  • 1996Monopoly television: MTV's quest to control the music

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100 cited

Cited by

  • 2018Mobilising African music: how mobile telecommunications and technology firms are transforming African music sectors33 cited
  • 2011The music industry and the internet : a decade of disruptive and uncontrolled sectoral change23 cited
  • 2022K-Pop’s Global Success and Its Innovative Production System18 cited
  • 2013Downloading deviance10 cited
  • 2006Government regulation in the Australian popular music industry: The rhetoric of cultural protection, the reality of economic production8 cited
  • 2012No big deal!? Live Nation's impact on the Belgian festival market7 cited
  • 2008Sound Studies: Missing the (Popular) Music for the Screens?6 cited
  • 2012Alan Freed still casts a long shadow: the persistence of payola and the ambiguous value of music4 cited